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Quote by Doug Liman

“I realize I am contradictory: I have an independent filmmaker's sensibility and a Hollywood director's short-attention span.”

Quote by Doug Liman

Author

Born on July 24, 1965, Doug Liman is a renowned film director known for his intense and visually striking films. His works, including 'Source Code', 'The Bourne Identity', and 'Déjà Vu', are celebrated for their thrilling plots and unique style. more

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“It's no secret that my process is a little bit loose and can be a little bit infuriating to a studio if they don't know what they're signing up for.”

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“I think when the United States of America put a man on the moon in 1969, that was one of the greatest accomplishments mankind has ever done.”

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“It turns out that it's easier to do politics in a movie. People really don't want it in their TV.”

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“I make movies for me and posterity. I'm more scared of history than I am of the studio.”

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“I probably shouldn't treat interviews as therapy sessions, but I don't keep a diary, so these end up being my way of keeping track of where I'm at and letting it all out.”

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“When I was shooting 'The Bourne Identity,' I had a mantra: 'How come you never see James Bond pay a phone bill?' It sounds trite, but it became the foundation of that franchise.”

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“I had just come off doing a lot of commercials when I did Go, so a part of the fast pace and efficiency comes from the discipline I had to learn from telling stories in 25-second increments, and that type of discipline is insane.”

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“From a production point of view, I still have one foot firmly planted in the independent film world, and much of the shooting on 'Jumper' was done 'Swingers'-style because that was the only way we could afford to do it.”

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“That's why 'The Bourne Identity' has that sort of shaky style, because for the most part, Matt Damon and I were sneaking around Paris and shooting where we didn't have permits.”

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“The beating heart of your story that's not what shows up in a trailer. The other stuff is what shows up in a trailer, because that's what gets people in to the seats, and that's how studios make their money.”

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