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“Marry a woman who is religious. If money comes, she is grateful, and if things get tough, she is patient.”

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Quran FM

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“The Thousand and One Nights" draws on a sea of pre-existing legends, from lands stretching from Egypt to China. But the name “Shahrazad” is Persian, and as folklorist Maria Tatar explains, the material she conveys “made its way from Persian to Arabic manuscripts in the second half of the eighth century CE.” Reportedly, Shahrazad has a library of a thousand books, knows all their stories, and weaves them together like a classic bard. The tyrant who reportedly commands her love while threatening her life is a typical ancient warlord, who assumes that mercy is weakness. In countering his murderous egotism, she wields the power of myth and the beauty of empathy. Azar Nafisi explains it as a kind art therapy: “the heroine … must rely on ‘woman’s guile’ to survive a madman’s clutches. She turns his nights with her into an unfolding drama, spinning a spell of fantasy that finally restores his sanity.” In her survey of female heroes throughout history, "The Heroine with 1,001 Faces" (2021), Maria Tatar describes this sort of spell-casting as a chief characteristic of women’s art: “it gradually dawned on me that the heroines [of most folk stories] were habitually bent on social missions, trying to rescue, restore, or fix things, with words as their only weapons,” Maybe that is the ultimate function of all these legendary Persian “romances,” and the main goal of women’s popular folklore through the centuries.”

LiteratureWomenHistoryIranFolklorePersia
Book:Mother Persia: Women in Iran's History
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“A moment’s reflection shows that women, their work, their concerns and innovations are at the core of this more accurate understanding of civilization. As we saw in earlier chapters, tracing the place of women in societies without writing often means using clues left, quite literally, in the fabric of material culture, such as painted ceramics that mimic both textile designs and female bodies in their forms and elaborate decorative structures. To take just two examples, it’s hard to believe that the kind of complex mathematical knowledge displayed in early Mesopotamian cuneiform documents or in the layout of Peru’s Chavín temples sprang fully formed from the mind of a male scribe or sculptor, like Athena from the head of Zeus. Far more likely, these represent knowledge accumulated in earlier times through concrete practices such as the solid geometry and applied calculus of weaving or beadwork. What until now has passed for ‘civilization’ might in fact be nothing more than a gendered appropriation – by men, etching their claims in stone – of some earlier system of knowledge that had women at its centre.”

WomenHistoryCivilizationMathematicsSocial Science
Author:David Graeber, David Wengrow
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“Woe is the natural end of life, yet we go on having babies.No, said Nanny, an echo in Melena's mind (and editorializing as usual): No, no, you pretty little pampered hussy. We don't go on having babies, that's quite apparent. We only have babies when we're young enough not to know how grim life turns out. Once we really get the full measure of it--we're slow learners, we women--we dry up in disgust and sensibly halt production.But men don't dry up, Melena objected; they can father to the death.Ah, we're slow learners, Nanny countered. But they can't learn at all.”

MenWomenBabies
Book:Wicked: The Life and Times of the Wicked Witch of the West
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“"This is why you shouldn't fall in love, it blinds you. Love is wicked distraction [...] The wickedness of men is that their power breeds stupidity and blindness," [Elphaba] said."And of women?""Women are weaker, but their weakness is full of cunning and an equally rigid moral certainty. Since their arena is smaller, their capacity for real damage is less alarming. Though being more intimate they are the more treacherous."”

MenLoveWomenWeakness
Book:Wicked: The Life and Times of the Wicked Witch of the West
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“Tribal mothers always tell their children that there are two kinds of anger: hot and cold. Boys and girls experience both, but as they grow up the angers separate according to the sex. Boys need hot anger to survive. They need the inclination to fight, the drive to sink the knife into the flesh, the energy and initiative of fury. It's a requirement of hunting, of defense, of pride. Maybe of sex, too. [...] And girls need cold anger. They need the cold simmer, the ceaseless grudge, the talent to avoid forgiveness, the sidestepping of compromise. They need to know when they say something that they will never back down, ever, ever. It's the compensation for a more limited scope in the world. Cross a man and you struggle, one of you wins, you adjust and go on--or you lie there dead. Cross a woman and the universe is changed, once again, for cold anger requires an eternal vigilance in all manners of slight and offense.”

MenWomenCold AngerHot Anger
Book:Wicked: The Life and Times of the Wicked Witch of the West
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“There were special words for me, lurking on the horizon, prepackaged to mark the possible future stages of my existence. I might become a spinster. I might become a crone. I might be a babe or a MILF or ‚childless‘. My brothers, no matter what else might befall them, would remain men. And in the end of it all, if I was lucky, I would become that most piteous of things, an old lady, whom I already understood was a figure everybody felt free to patronize, even children.”

WomenFeminism
Author:Zadie Smith
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