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Quote by Elif Batuman

“It's really a trade-off: you're always having to decide whether you're going to say the more ambitious thing, and lose a little clarity - or are you going to say something really clearly, and sacrifice a little nuance? Get too obscure, and you sound like a pretentious asshole; go overboard with the clarity, and you sound like you're talking down to your audience, or like you yourself are a reductive simpleton.”

Quote by Elif Batuman

Author

Elif Batuman is a Turkish-American author born in 1977. Her works are known for their humor and depth, primarily exploring themes of personal identity, cultural differences, and the experience of growing up. Her debut novel, 'The Possessed', received widespread acclaim. more

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“Part of flirting is that you tend to give each other a little extra slack to be obscure - to say things that are suggestive and nuanced, rather than clear and comprehensible, things you wouldn't put up with in an essay or something written by a stranger - and that can be so exciting.”

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“Poetry is another space, like love, where we extend that extra credit to the writer.”

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“Humor is really important to me. All my favorite writers are writers I consider to be funny, including Tolstoy and Dostoevsky, even though that's not necessarily their rap.”

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“I think humor is a really important way of creating solidarity - like, through humor you can make people realize that certain situations, where they thought they were alone, are actually shared by everyone.”

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Author:Elif Batuman

“When a novelist manages to describe or evoke something you thought or felt, without realizing that other people also found themselves in the same situation and had the same feelings, it creates that same solidarity. Maybe it's better to think of humor not as a tool to express the solidarity, but a kind of by-product. Maybe the realization "I'm not on my own on this one" is always, or often, funny.”

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Author:Elif Batuman

“One of the things that really impressed me about Anna Karenina when I first read it was how Tolstoy sets you up to expect certain things to happen - and they don't. Everything is set up for you to think Anna is going to die in childbirth. She dreams it's going to happen, the doctor, Vronsky and Karenin think it's going to happen, and it's what should happen to an adulteress by the rules of a nineteenth-century novel. But then it doesn't happen. It's so fascinating to be left in that space, in a kind of free fall, where you have no idea what's going to happen.”

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Author:Elif Batuman

“I do like the idea of the novel of repressed college students being a contemporary novel of courtship! I guess what I would say to that is, we tend to think of historical periods and historical mores as ending a lot more concretely than they do. Like, in an Austen novel, there are lots of reasons - cultural, moral, religious - why the characters don't have sex during courtship. Maybe, even though those reasons have kind of expired, historically, they're still around in some sense.”

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Author:Elif Batuman

“In the last volume of In Search of Lost Time, Proust compares himself to Scheherazade: he says he has finally understood the nature of the book he has to write, just at the moment when his advancing years and declining health have made him doubt that he's going to live long enough to write it. So he has to write against death like Scheherazade.”

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Author:Elif Batuman

“In a way all writers are writing against death, because writing is an attempt to defy the passage of time, to refuse to let the past disappear and be forgotten, and to refuse to let the present become the past - to try to keep living another day, to try to talk your way into life, or seduce your way into it.”

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“Happiness is not the endless pursuit of pleasant experiences - that sounds more like a recipe for exhaustion - but a way of being that results from cultivating a benevolent mind, emotional balance, inner freedom, inner peace, and wisdom. Each of these qualities is a skill that can be enhanced through training the mind.”

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