Quotessence
Home / Quotes / Quote by C.S. Lewis

Quote by C.S. Lewis

“We hear a great deal about the rudeness of the ris- ing generation. I am an oldster myself and might be expected to take the oldsters' side, but in fact I have been far more impressed by the bad manners of par- ents to children than by those of children to parents. Who has not been the embarrassed guest at family meals where the father or mother treated their grown-up offspring with an incivility which, offered to any other young people, would simply have termi- nated the acquaintance? Dogmatic assertions on mat- ters which the children understand and their elders don't, ruthless interruptions, flat contradictions, ridicule of things the young take seriously some- times of their religion insulting references to their friends, all provide an easy answer to the question "Why are they always out? Why do they like every house better than their home?" Who does not prefer civility to barbarism?”

Quote by C.S. Lewis

Book:The Four Loves
Create image

Work

The Four Loves

C.S. Lewis delves into the complexities of love, offering a theological and philosophical analysis of its various forms and their impact on human life. more

Author

C.S. Lewis

Browse famous quotes and profile details for C.S. Lewis. more

You May Also Like

“It is an observation at first sight melancholy but in the end, perhaps, enlightening, that the earliest poets are the most ideal, and that primitive ages furnish the most heroic characters and have the clearest vision of a perfect life. The Homeric times must have been full of ignorance and suffering. In those little barbaric towns, in those camps and farm, in those shipyards, there must have been much insecurity and superstition. That age was singularly poor in all that concerns the convenience of life and the entertainment of the mind with arts and sciences. Yet it had a sense for civilizations.”

CivilizationBarbarism
Author:George Santayana
Create image

“Thus, the seizure of the island Kabakon by our friend looked quite different depending on the viewpoint from which one observed the scenario and who one actually was. This splitting of reality into various components was, however, one of the chief characteristics of the age in which Engelhardt's story takes place. To wit: modernity had dawned; poets suddenly wrote fragmented lines; grating and atonal music, which to unschooled ears merely sounded horrible, was premiered before audiences who shook their baffled heads, was pressed into records and reproduced, not to mention the invention of the cinematograph, which was able to render our reality exactly as tangible and temporally congruent as it occurred; it was as if it were possible to cut a slice of the present and preserve it in perpetuity between the perforations of a strip celluloid. All this, however, did not move Engelhardt; he was on his way toward withdrawing not only from modernity dawning the world over, but altogether from what we non-Gnostics denote as progress, as, well, civilization. Engelhardt took a decisive step forward onto the shore; in reality, it was a step back into a barbarism most exquisite.”

ProgressCivilizationBarbarismSpiritualism
Book:Imperium
Create image

“But if the gradualness of this process misled the Romans there were other and equally potent reasons for their blindness. Most potent of all was the fact that they mistook entirely the very nature of civilization itself. All of them were making the same mistake. People who thought that Rome could swallow barbarism and absorb it into her life without diluting her own civilization; the people who ran about busily saying that the barbarians were not such bad fellows after all, finding good points in their regime with which to castigate the Romans and crying that except ye become as little barbarians ye shall not attain salvation; the people who did not observe in 476 that one half of the Respublica Romanorum had ceased to exist and nourished themselves on the fiction that the barbarian kings were exercising a power delegated from the Emperor. All these people were deluded by the same error, the belief that Rome (the civilization of their age) was not a mere historical fact with a beginning and an end, but a condition of nature like the air they breathed and the earth they tread Ave Roma immortalis, most magnificent most disastrous of creeds!”

PoliticsImmigrationRomeRace RelationsBarbarismMetahistoryCivilisational Decline
Book:Medieval People
Create image

“Now the zest of romanticism consists in taking what you know is an independent and ancient world as if it were material for your private emotions. The savage or the animal, who should not be aware of nature or history at all, could not be romantic about them, nor about himself. He would be blandly idiotic, and take everything quite unsuspectingly for what it was in him. The romanticist, then, should be a civilized man, so that his primitiveness and egotism may have something paradoxical and conscious about them; and so that his life may contain a rich experience, and his reflection may play with all varieties of sentiment and thought. At the same time, in his inmost genius, he should be a barbarian, a child, a transcendentalist, so that his life may seem to him absolutely fresh, self-determined, unforeseen, and unforeseeable. It is part of his inspiration to believe that he creates a new heaven and a new earth with each revolution in his moods or in his purposes. He ignores, or seeks to ignore, all the conditions of life, until perhaps by living he personally discovers them. Like Faust, he flouts science, and is minded to make trial of magic, which renders a man’s will master of the universe in which he seems to live. He disowns all authority, save that mysteriously exercised over him by his deep faith in himself. He is always honest and brave; but he is always different, and absolves himself from his past as soon as he has outgrown or forgotten it. He is inclined to be wayward and foolhardy, justifying himself on the ground that all experience is interesting, that the springs of it are inexhaustible and always pure, and that the future of his soul is infinite. In the romantic hero the civilized man and the barbarian must be combined; he should be the heir to all civilization, and, nevertheless, he should take life arrogantly and egotistically, as if it were an absolute personal experiment.”

CivilizationRomanticismBarbarism
Book:Three Philosophical Poets: Lucretius, Dante And Goethe
Create image