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Quote by Piet Mondrian

Work

Plastic art and pure plastic art, 1937, and other essays, 1941-1943

This book is a compilation of essays that delve into the concepts and theories of plastic art, exploring its evolution and significance from 1937 to 1943. more

Author

Piet Mondrian
Piet Mondrian

Piet Mondrian (March 7, 1872 – February 1, 1944) was a Dutch painter and a key figure in the De Stijl movement, renowned for his geometric abstract art. Initially influenced by Impressionism and Cubism, he developed Neoplasticism, a style using straight lines, right angles, and primary colors (red, yellow, blue) plus non-colors (black, white, gray). His iconic works like Composition with Red, Yellow, and Blue sought universal harmony through simplification. Mondrian's ideas profoundly impacted modern art, design, and architecture. He spent his final years in New York, creating vibrant pieces like Broadway Boogie Woogie, reflecting jazz rhythms. His legacy endures as a pioneer of abstraction, influencing fields from fashion to digital art. more

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“Vertical and horizontal lines are the expression of two opposing forces; they exist everywhere and dominate everything; their reciprocal action constitutes 'life'. I recognized that the equilibrium of any particular aspect of nature rests on the equivalence of its opposites.”

TwoActionForceLinesParticularExpressionAspectOppositesOpposingEquilibriumReciprocalVerticalHorizontalHorizontal Lines
Book:Piet Mondrian, 1872-1944: exhibition Santa Barbara Museum of Art, Dallas Museum of Fine Arts, Washington Gallery of Modern Art
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“Observing sea, sky and stars, I sought to indicate their plastic function through a multiplicity of crossing verticals and horizontals. Impressed by the vastness of Nature, I was trying to express its expansion, rest and unity.”

TryingStarsSeaSkyFunctionUnityPlasticImpressedExpansionObservingCrossingsMultiplicityVastness
Book:Plastic art and pure plastic art, 1937, and other essays, 1941-1943
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“It is the poet and philosopher who provide the community of objectives in which the artist participates. Their chief preoccupation, like the artist, is the expression in concrete form of their notions of reality. Like him, they deal with the verities of time and space, life and death, and the heights of exaltation as well as the depths of despair. The preoccupation with these eternal problems creates a common ground which transcends the disparity in the means used to achieve them.”

WellsMeanProblemRealityFormUsedArtistCommunitySpaceDealsCommonAchievePoetExpressionDespairEternalDepthNotionPhilosopherObjectivesChiefsHeightLife And DeathConcreteTime And SpacePreoccupationCommon GroundDisparityExaltation
Book:The Artist's Reality: Philosophies of Art
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