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Horizontal Quotes

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Horizontal Quotes

“He talked to her endlessly about his love of horizontals: how they, the great levels of sky and land in Lincolnshire, meant to him the eternality of the will, just as the bowed Norman arches of the church, repeating themselves, meant the dogged leaping forward of the persistent human soul, on and on, nobody knows where; in contradiction to the perpendicular lines and to the Gothic arch, which, he said, leapt up at heaven and touched the ecstasy and lost itself in the divine.”

“But is not Christ a general direction? asked the elder. What other kind of direction do you seek? And how do you even understand the journey anyway? As the vast expanses you left behind? You made it to Jerusalem with your questions, though you could have asked them from the Kirillov Monastery. I am not saying wandering is useless there is a point to it. Do not become like your beloved Alexander who had a journey but had no goal. And do not be enamored of excessive horizontal motion. Then what should I be enamored of? asked Arseny. Vertical motion, answered the elder, pointing above.”

“Firewall Kesedihan yang Tidak Bisa Ditembus (Posthuman Alt. Version 5.0) Kesedihan menghentikanku di ambang—antarmuka yang menolak memuat dirinya sebagai memori retak. Jurang di hadapanku adalah server gelap yang menelan amarah sebagai syntax error. Aku mengabaikan perintah; walau telah di-root seperti komputer tua menolak reboot. Yang aku mau adalah: menjadi sebuah menara gereja yang menyala seperti sinyal nirkabel, atau gapura tua yang tetap bertahan meski di-scan ribuan kali oleh penglihatan yang tidak mengenali kaca matanya sendiri. Setiap gerbang mengarahkan algoritmaku kembali ke rumah ibu— kerinduan yang menetes seperti paket data yang bocor. Tidak ada yang berubah, hanya versiku yang lain yang terus memperbarui diri tanpa permisi. Mimpi lelaki perkasa yang terbang ke bulan dengan kuda ego yang ia optimasi dari imajinasi. Sekalipun absurd: kesedihan hampir menjadikanku bug dalam diriku sendiri. Hidup bukan fitur mewah. Kebahagiaan bukan update terbaru. Yang kupunya hanya pilihan— dan Tuhan (bukan), ia adalah Stack Developer yang memproses kehadiran-nya dalam format data yang paling rendah: sebatang lilin, dengan cahaya yang gagal render. November 2025”

“Traditional horizontal search engines cannot always identify the target audience, niche or vertical industry of a page or site. Vertical search engines address this issue by the nature of their design. They identify sites according to more specific criteria and sometimes even by human input.”

“I have gained very great inspiration from the Cornish land- and seascape, the horizontal line of the sea and the quality of light and colour which reminds me of the Mediterranean light and colour which so excites one's sense of form; and first and last there is the human figure which in the country becomes a free and moving part of a greater whole. This relationship between figure and landscape is vitally important to me. I cannot feel it in a city.”

“I'm convinced that business success in the future starts with the question, What should I do with my life? Yes, that's right.... People don't succeed by migrating to a "hot" industry (one word: dotcom) or by adopting a particular career-guiding mantra (remember "horizontal careers"?). They thrive by focusing on the question of who they really are--and connecting that to work that they truly love (and, in so doing, unleashing a productive and creative power that they never imagined).”

“Once, I'd written a Western story, and one of the panels was just a hand holding a six-shooter, and there was a puff of smoke coming out of the barrel, and a straight horizontal line, indicating the trajectory of the bullet. So that page was sent back to me from the Code office, saying that the particular panel was too violent. I asked them what they meant, and they told me--I swear--"The puff of smoke is too big." Well, of course. So I had the artist make the smoke a little smaller, and the youth of America was saved.”

“Today the crime novelist has one advantage denied to writers of 'straight' or 'literary' novels. Unlike them he can range over all levels of society, for crime can easily breach the barriers that exist in our stratified society. Because of these barriers the modern literary novel, unlike its 19th-century predecessors, is often confined to the horizontal, dealing only with one class. But crime runs through society from top to bottom, and so the crime novelist can present a fuller picture of the way we live now.”

“A counter-attack can only arise when you make a mistake. That's why there are rules. A horizontal pass? Prohibited. In my line-up there are as many lines as possible. Because you must have the option to pass the ball forward, even if it's a meter. Because then I can still make up for the loss of possession. After a horizontal pass this is impossible.”

“Horizontal hostility may be expressed in sibling rivalry or in competitive dueling which wrecks not only office tranquility or suburban domesticity but also some radical political groups and, it must be sadly said, some women's liberation groups. ... [it is] misdirected anger that rightly should be focused on the external causes of oppression.”

“I am persuaded ... that both man and woman bear pain or sorrow, (and, for aught I know, pleasure too) best in a horizontal position.”

“As we went through mach one, the nose started dropping, so we just cranked that horizontal stabilizer down to keep the nose up. We got it above mach one, and once we got it above the speed of sound, then you have supersonic flow over the whole airplane, so you have no more shock waves on it that are causing buffeting...You really don't think about the outcome of any kind of a flight, whether it's combat, or any other kinds of flights, because you really have no control over it.”

“For the machine meant the conquest of horizontal space. It also meant a sense of that space which few people had experienced before – the succession and superimposition of views, the unfolding of landscape in flickering surfaces as one was carried swiftly past it, and an exaggerated feeling of relative motion (the poplars nearby seeming to move faster than the church spire across the field) due to parallax. The view from the train was not the view from the horse. It compressed more motifs into the same time. Conversely, it left less time in which to dwell on any one thing.”

“If there is a reason for keeping the wall very quiet, choose a pattern that works all over without pronounced lines...Put very succinctly, architectural effect depends upon a nice balance of horizontal, vertical and oblique. No rules can say how much of each; so nothing can really take the place of feeling and good judgement.”

“Essentially, the scripts are not that different. Let's say, in literary terms, it's the difference between writing horizontally and writing vertically. In live television, you wrote much more vertically. You had to probe people because you didn't have money or sets or any of the physical dimensions that film will allow you. So you generally probed people a little bit more. Film writing is much more horizontal. You can insert anything you want: meadows, battlefields, the Taj Mahal, a cast of thousands. But essentially, writing a story is writing a story.”