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Quote by Liu Dan

“At that time, I was still in an experimental stage, trying to blend Western drawing techniques and Chinese brushwork together. It was harder for me back then... But that piece is special and important, because it represents vigilance and innocence; the kind of precious innocence only present at the beginning of a new artistic exploration.”

Quote by Liu Dan

Author

Liu Dan, born on April 24, 1987, is a renowned Chinese professional basketball player. He has made remarkable achievements in basketball, representing the Chinese national team in various international competitions and achieving significant success at the club level. more

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“It is not about surpassing the masters who preceded us but more about opening new artistic vistas. It is about doing the things they didn't have a chance or the time to do.”

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“I hope to bring ancient philosophy and new scientific thinking together, to provide a new perspective of nature, especially the relationship between nature and man.”

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“Hyperrealism is more about objectifying... how an object can be portrayed when it is seen through a camera's lens... all my paintings are about an object being viewed through human eyes.”

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“To me, watercolor is a Western medium, so when I feel like I am using a Western manner I will use English to sign my name.”

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“It was a great test of my ability to work with... watercolors. And it was also a test of my patience; I needed to put myself in a completely disciplined position... I couldn't make mistakes.”

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Author:Liu Dan

“When HSBC took the painting out of their building, they had to block the road and use a crane to bring the painting out from the window. They spent about 20,000 dollars just to get the painting out of the building! They said not to bring it back, and told Sotheby's to sell it immediately!”

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“Only the four corners of the background remained. It was terribly difficult to fix my eyes on all of them at the same time. My experience was that the most difficult thing of all in art is painting in all four corners at the same time.”

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“Sometimes I had to force the overpainting of three corners almost without any feeling for shape, almost without inspiration, only to find my way back, to get out of this hell.”

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“the 'total overpaintings' developed... through incessant reworking. The original motif peeped through the edges. Gradually it vanished completely.”

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“I have settled down in this border area; I am trying to find distinct standards of shape, and I long to experience, formulate, and evoke this dark, heavy, tranquillity.”

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