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Quote by Flannery O'Connor

“Fiction operates through the senses, and I think one reason that people find it so difficult to write stories is that they forget how much time and patience is required to convince through the senses. No reader who doesn't actually experience, who isn't made to feel, the story is going to believe anything the fiction writer merely tells him. The first and most obvious characteristic of fiction is that it deals with reality through what can be seen, heard, smelt, tasted, and touched.”

Quote by Flannery O'Connor

Work

Mystery and Manners: Occasional Prose

This book is a compilation of essays that delve into a range of topics, offering insights into the author's perspectives on literature, art, and personal anecdotes. more

Author

Flannery O'Connor
Flannery O'Connor

Flannery O'Connor was an American writer known for her unique Southern background and profound religious themes. Her works often explore moral and religious issues through satire and humor, with her novels 'Wise Blood' and 'The Violent Bear It Away' being among her most famous. more

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“You have always been my only muse. I cannot paint or sculpt. I have only my words to render your likeness. Sometimes I wish I were both God and Adam so I could tear out my rib and create you from my own flesh. I would say I’d create you from my heart, but I gave that to you when you left me. But that’s a cliché, isn’t it? Sadly, that’s all I have these days. The whole story is a cliché. I desired you. I ate of you. I lost you. That ancient story – older than the Garden, old as the Snake. I would have liked to call this story of ours The Temptation but the word temptation, once the province of pious theologians, has now been co-opted by every third second-rate romance novelist. And although I loved you, my beautiful girl, this is not a romance novel.”

“Sólo un recelo chiquito y fastidioso, como el grano de tierra que en un ojo se nos mete y nos hace sufrir tanto, me estorba para la felicidad absoluta. Y es la sospecha de que todavía no me quieres bastante, que no has llegado al supremo límite del querer, ¿qué digo límite, si no lo hay?, al principio del último cielo, pues yo no puedo hartarme de pedir más, más, siempre más; y no quiero, no quiero sino cosas infinitas, entérate... todo infinito, infinitísimo, o nada... ¿Cuántos abrazos crees que te voy a dar cuando llegues? Ve contando. Pues tantos como segundos tarde una hormiga en dar la vuelta al globo terráqueo. No; más, muchos más. Tantos como segundos tarde la hormiga en partir en dos, con sus patas, la esferita terrestre, dándole vueltas siempre por una misma línea... Con que saca esa cuenta, tonto.”

“Marian was suddenly overcome by an appalling crippling panic. She was very frightened at the idea of arriving. But it was more than that. She feared the rocks and the cliffs and the grotesque dolmen and the ancient secret things. Her two companions seemed no longer reassuring but dreadfully alien and even sinister. She felt, for the first time in her life, completely isolated and in danger. She became in an instant almost faint with terror. She said, as a cry for help, ‘I’m feeling terribly nervous’. ‘I know you are,’ said Scottow. (…) Marian was appalled at the sudden quietness. But the insane panic had left her. She was frightened now in an ordinary way, sick in her stomach, shy, tongue-tied, horribly aware of the onset of a new world.”