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Quote by Rachel Kushner

“I think art is much more about an engagement with the world, a way of being called upon and recognizing that the world is speaking to you. Which isn't quite solitude, even if you're alone when it happens.”

Quote by Rachel Kushner

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Rachel Kushner
Rachel Kushner

Rachel Kushner (b. 1968) is an acclaimed American novelist, essayist, and short story writer. Her notable works include Telex from Cuba, The Flamethrowers, and The Mars Room. Known for her historical depth, complex narratives, and sharp cultural critique, Kushner explores American history, politics, and identity through richly layered prose. Her novel The Mars Room was a finalist for the 2018 Booker Prize and Pulitzer Prize. more

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“As to the "traditional filler of twenty-first century realist fiction," maybe that is something I avoid. I don't relate to standard psychologizing in novels. I don't really believe that the backstory is the story you need. And I don't believe it's more like life to get it - the buildup of "character" through psychological and family history, the whole idea of "knowing what the character wants." People in real life so often do not know what they want. People trick themselves, lie to themselves, fool themselves. It's called survival, and self-mythology.”

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“I do study Marcel Proust, for multiple technical virtuosities but also his swerve, as you say, between characters and in scenes. Certain films can help for that, too, in terms of understanding how multiple conversations at a table, or in a room, can take place and remain separate, and dissonant, and also gather themselves, accidentally, into a collective rhythm and an affect.”

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“While it might be true that our reality would suggest that more writers would address these elemental issues of modern life - work, the marketplace, brutality, race - I'm not sure I have enough of a sense in aggregate of what the dominant novelists are doing to comment on why less do, or if less do. Maybe that's partly because I don't feel woven into any kind of fabric of contemporaries; I just read what I read, and do what I do.”

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“I do not consciously reclaim. I am not those "some readers" and so I think it would be impossible for me to see my work that way, as reclaiming a preserve. I write in a way that is aimed at all levels - conscious and unconscious - at pleasing the kind of reader I am. Some of the authors I read are male, some are female, and some are even in between. And speaking of in between, maybe now is as good a moment as any to point out that there might be no "feminine" or "masculine" literary sensibility, or sensibility generally.”

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