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Quote by Ros Baxter

“Quentin had told Spike that inking ‘percussion’ across your knuckles was kind of lame. It takes more than ten letters to make a badass knuckle tattoo. That was the problem with drummers. They didn’t listen. But they always seemed to get laid anyway.”

Quote by Ros Baxter

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“He shook his head at her question. Did women really think men cared about that stuff? Did he care if she did this all the time? Definitely, definitely not. He could honestly say he did not give a flying fuck whether this girl dragged guys home every other day to have her way with them for seven hours. He was just glad as hell she’d decided to do it with him. Today. And hopefully maybe again. Sometime.”

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Book:Numbered

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“She frowned, and the effect was so pretty he wondered if he was going mad. Why did he find this cranky, kooky woman so damned appealing? He knew for a fact he could go out tonight and drag home some hot, willing chick who would stroke his ego and never argue with him about anything. He closed his eyes and remembered just how good that felt. Willing women; god bless them.”

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“Sie ließen sich jetzt die Hände frei, ergriffen sie aber auf der Stelle wieder und beide sagten gleichzeitig: "Und wie geht es dir auch?" Aber statt sich zu antworten, fragten sie das gleiche aufs neue und die Antwort lag nur in den beredten Augen, da sie nach Art der Verliebten die Worte nicht mehr zu lenken wussten und, ohne sich weiter etwas zu sagen, endlich halb selig halb traurig auseinanderhuschten.”

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“I asked them telepathically. Christy confessed. When I stared, I could see a fine tremor go through her. Matthew added.”

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“Slaves in the village are not to be coddled with consistent orders.”

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“Turning my head, I saw that this figure, too, now face inward, and it was Coral and her right eye was covered by a black patch and she, too, held a knife in her right hand. Then I saw what was in her left hand, and I shot a glance back at Julia. Yes, they held forks as well as knives.”

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“The Angelfucker strikes again.”

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“Our lives can hold just so much. If they're filled with one thing, they can't be filled with another. We ought to do a lot of thinking about what we want to fill them with.”

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“Yes, I was determined to have a happy Christmas' 'Did you?' 'I think so. I don't remember it much, and that's always a good sign, isn't it?”

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“I’ve been looking at all the ordinary staples of flirting," says Julia, "like biting your lip and looking away just a second too late, and laughing a lot and finding every excuse to touch, light fingertips on a forearm or a thigh that emphasize and punctuate the laughter. I’ve been thinking about what a comfort these things are, these textbook methods, precisely because they need no decoding, no translation. Once, a long time ago, you could probably bite your lip and it would mean, I am almost overcome with desiring you. Now you bite your lip and it means, I want you to see that I am almost overcome with desiring you, so I am using the plainest and most universally accepted symbol I can think of to make you see. Now it means, Both of us know the implications of my biting my lip, and what I am trying to say. We are speaking a language, you and I together, a language that we did not invent, a language that is not unique to our uttering. We are speaking someone else’s lines. It’s a comfort.”

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