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Quote by Richard Rodriguez

“I find L.A. very interesting, partly because I think something new is forming there, but not in a moment of good fellowship as you might think from all this "diversity" claptrap. It's not as if we'll all go down to the Civic Center in our ethnic costumes and dance around.”

Quote by Richard Rodriguez

Author

Richard Rodriguez

Richard Rodriguez is an American writer born on July 31, 1944. His works primarily explore issues of identity, culture, and class, particularly the experiences of Latinos in American society. Rodriguez is known for his profound social commentary and literary talent. more

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“We're looking at complexity. We're looking at blond kids in Beverley Hills who can speak Spanish because they have been raised by Guatemalan nannies. We're looking at Evangelicals coming up from Latin America to convert the U.S. at the same time that L.A. movie stars are taking up Indian pantheism.”

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Author:Richard Rodriguez

“We're looking at such enormous complexity and variety that it makes a mockery of "celebrating diversity." In the L.A. of the future, no one will need to say, "Let's celebrate diversity." Diversity is going to be a fundamental part of our lives. That's what it's going to mean to be modern.”

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“If you want to live in Tennessee, God bless you, I wish for you a long life and starry evenings. But that is not where I want to live my life. I want to live my life in Carthage, in Athens. I want to live my life in Rome. I want to live my life in the center of the world. I want to live my life in Los Angeles.”

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“Margaret Cavendish was one of the people who came up in the course. That was when I started thinking about her as a character for a book, but my idea was for a totally different book. It had all these characters in it; Samuel Pepys was one of the main characters. He famously wrote these extensive diaries through the period that are really funny and sort of saucy, actually.”

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“So it was this multi-perspective, multi-character book, and it went through all of these different manifestations. I'm not sure there was a single moment where I thought to myself, Oh, I need to write about Margaret Cavendish. She just kept taking over the book I thought I was writing.”

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“I would be researching seventeenth-century garden design or I would be doing something with Pepys, but I just kept using all of it to write about Margaret Cavendish. It took me a long time to realize that I just wanted to write a book about her. Years.”

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“Finding the form was really a very dynamic process. I went through a lot of shifting, trying to get it right. Because the writing took place over such a long time, it's hard for me to pinpoint when specific things happened, but basically the final version only materialized in the last two or so years. It was there, but it took me a while to see it and then to refine it after I'd seen it.”

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“I sense people expect something to show for ten years. But I do feel like it is dense. Some of my own favorite books are slim, but there's a lot of weight and power in them.”

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“Back then, when I had that original idea to write about the seventeenth century, the whole thing was set in 1666. I was thinking of Margaret near the end of her life, and that was the voice I heard for her.”

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“But when I realized it was actually going to be this portrait of the artist, birth to death, I had to then discover who Margaret as a young woman would be. I had to find the different voices for her throughout her life. I had a lot of fun discovering that. I had a lot of fun writing the childhood sections. By imagining her childhood, I was able to come up with this voice that matures as she gets older.”

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Author:Danielle Dutton