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Quote by Kazuo Ishiguro

Work

The Remains of the Day

This novel, set in the 1950s, follows the life of Stevens, a dedicated butler who serves the same family for decades. It delves into the complexities of his personal and professional life, reflecting on the impact of the war and the changing social landscape of England. The narrative is introspective, offering a nuanced look at the role of servants in British society and the hidden emotional landscapes of its characters. more

Author

Kazuo Ishiguro
Kazuo Ishiguro

Kazuo Ishiguro is a Japanese-born British novelist known for his unique literary style and profound insights into human nature. His works often explore themes of memory, identity, and common human emotions. Born on November 8, 1954, Ishiguro's career began with the publication of his first novel 'When Breath Becomes Air' in 1982, which received widespread acclaim. more

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“No one was ever good enough for anybody's precious sons. No one ever called daughters precious, and why was that? Things had not changed very much. In the end women like Emily and Ingrid and Freya and Joanna only had one another to lean on. The men were wonderful when they were around, but their fires burned too bright, they lived too close to the sun - look what happened to her boy, and to her man. Gone. Women only had one another in the end.”

“Women beg me for it, and not the other way around." "Then you should go to one of them." "Oh, I will. When we return to London, I'm going to embark on a spree of orgiastic debauchery that won't end until someone is arrested for it. But in the meanwhile...do you truly expect that the two of us are going to share a bed tonight-and tomorrow night-as chastely as a pair of nuns on holiday?”

“The best baby-sitters, of course, are the baby’s grandparents. You feel completely comfortable entrusting your baby to them for long periods, which is why most grandparents flee to Florida.”

“He likes a day in the studio to end, he says, "when my knees are all skinned up and my pants are wet and my hair's off to one side and I feel like I've been in the foxhole all day. I don't think comfort is good for music. It's good to come out with skinned knuckles after wrestling with something you can't see. I like it when you come home at the end of the day from recording and someone says, "What happened to your hand?" And you don't even know. When you're in that place, you can dance on a broken ankle.”