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Quote by Alexandra Ripley

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Scarlett, Part 2

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Author

Alexandra Ripley
Alexandra Ripley

Alexandra Ripley, born on January 8, 1934, and died on January 10, 2004, was a renowned British writer known for her historical novels. Her works have been highly appreciated by readers for their unique narrative style and precise historical details. more

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“Kilmartin wrote a highly amusing and illuminating account of his experience as a Proust revisionist, which appeared in the first issue of Ben Sonnenberg's quarterly Grand Street in the autumn of 1981. The essay opened with a kind of encouragement: 'There used to be a story that discerning Frenchmen preferred to read Marcel Proust in English on the grounds that the prose of A la recherche du temps perdu was deeply un-French and heavily influenced by English writers such as Ruskin.' I cling to this even though Kilmartin thought it to be ridiculous Parisian snobbery; I shall never be able to read Proust in French, and one's opportunities for outfacing Gallic self-regard are relatively scarce.”

“The French are like a coin with a different face on either side of it (every coin has two faces), for every action there is an equally strong opposing idea that vibrates on the other end within them like the receiving side of a series of ripples in a pond. But this is all happening within themselves. The French are exactly like their own language: there are too many letters but then you're not supposed to pronounce them!”

“Can I tell you one thing?” Melonhead says. I swallow. “Sure.” “One day isn’t your whole life, Murph.” He waits until I look at him. “A day is just a day.” I scoff and slouch in the chair. “So what are you saying? That people shouldn’t judge me on one mistake? Tell that to Judge Ororos.” He leans in against the table. “No, kid. I’m saying you shouldn’t judge yourself for it.”

“I came from a place where everyone was friendly, where even funeral directors told you to have a nice day as you left to bury your grandmother – but I soon learned that everyone in Paris was [rude]. You would go into a bakery and be greeted by some vast slug-like creature with a look that told you you would never be friends. In halting French you would ask for a small loaf of bread. The woman would give you a long, cold stare and then put a dead beaver on the counter. ‘No, no,’ you would say, hands aflutter, ‘not a dead beaver. A loaf of bread.’ The slug-like creature would stare at you in patent disbelief, then turn to the other customers and address them in French at much too high a speed for you to follow, but the drift of which clearly was that this person here, this American tourist, had come in and asked for a dead beaver and she had given him a dead beaver and now he was saying that he didn’t want a dead beaver at all, he wanted a loaf of bread. The other customers would look at you as if you had just tried to fart in their handbags, and you would have no choice but to slink away and console yourself with the thought that in another four days you would be in Brussels and probably able to eat again.”