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Quote by Joseph Brodsky

“A tear can be shed in this place on several occasions. Assuming that beauty is the distribution of light in the fashion most congenial to one's retina, a tear is an acknowledgment of the retina's, as well as the tear's, failure to retain beauty. On the whole, love comes with the speed of light; separation, with that of sound. It is the deterioration of the greater speed to the lesser that moistens one's eye. Because one is finite, a departure from this place always feel final; leaving it behind is leaving it forever. For leaving is banishment of the eye to the provinces of the other senses; at best, to the crevices and crevasses of the brain. For the eye identifies itself not with the body it belongs to but with the object of its attention. And to the eye, for purely optical reasons, departure is not the body leaving the city but the city abandoning the pupil. Likewise, disappearance of the beloved, especially a gradual one, causes grief no matter who, and for what peripatetic reason, is actually in motion. As the world goes, this city is the eye's beloved. After it, everything is a letdown. A tear is the anticipation of the eye's future.”

Quote by Joseph Brodsky

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Joseph Brodsky
Joseph Brodsky

Joseph Brodsky (May 24, 1940 - January 28, 1996) was a prominent poet of the 20th century, known for his profound thoughts and unique poetic style. His works cover a wide range of themes, including personal experiences, historical events, and philosophical reflections. Brodsky's poetry is characterized by its beautiful language and philosophical depth, and has had a profound impact on literature worldwide. more

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“I’m considering keeping the shutters open, even if people are spying on me at night from the apartment across the street. Especially if they are spying on me. It makes me feel less alone. I have a mental camaraderie with that imaginary person and their imaginary gaze. I find myself performing myself for them and exaggerating my facial expressions so they can see me more clearly, like actors project their voices on stage. I’m miming myself.”

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“That's what lay behind the feud under way in the Republic: a battle between different noble family factions in a fight for power. Serving this side or the other was of no interest to Mathias. But the consequences of a Venice under the Pope's direct control weren't at all to his liking. His beloved books would be burned by ignorant, avid priests. Men like Malachia would win. It was the same old struggle. The same fight Gheorg had chosen, the same fight that might take him to Wittenberg. But he wouldn't clear the way for Alexander VI. With what little strength he possessed, even though he was nothing more than a pawn of a chessboard, that extended farther then he could see, Mathias would help those in power smash what had all the makings of a major plot, one designed to overturn the government in power in La Serenissima. And these thoughts allowed the monk to find the first answer to the many question with which he still felt burdened. He and the Borgias did NOT share the same Church.”