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Quote by Joseph Heller

Work

Something happened

This book delves into the psychological and emotional consequences of a mysterious occurrence, as it unfolds through the perspectives of various individuals caught in its wake. more

Author

Joseph Heller
Joseph Heller

Joseph Heller was an American novelist known for his satirical and black humor style. His novel 'Catch-22' is considered one of the greatest novels of the 20th century and has had a profound impact on literature. more

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“Then a ploughman said, speak to us of work: in keeping yourself with labour you are in truth loving life, And to love life through labour is to be intimate with inmost secrets. And what is it to work with love? It is to weave the cloth with threads from your heart, even as if your beloved were to wear that cloth. It is to build a house with affection, even as if your beloved were to dwell in that house. It is to sow seeds with tenderness and reap the harvest with joy, even as if your beloved were to eat the fruit . It is to change all things you fashion with a breath of your own spirit. He who works in marble, and finds the shape of his own soul in the stone, is nobler than he who ploughs the soil.”

“You are not limited to this body, to this mind, or to this reality—you are a limitless ocean of Consciousness, imbued with infinite potential. You are existence itself.”

“When people say the word "convention," they are usually referring to large gatherings of the employees of companies and corporations who attend a mass assembly, usually in a big hotel somewhere, for the purpose of pretending to learn stuff when they are in fact enjoying a free trip somewhere, time off work, and the opportunity to flirt with strangers, drink, and otherwise indulge themselves. The first major difference between a business convention and a fan-dom convention is that fandom doesn’t bother with the pretenses. They’re just there to have a good time. The second difference is the dress code— the ensembles at a fan convention tend to be considerably more novel.”

“Our exertions generally find no enduring physical correlatives. We are diluted in gigantic intangible collective projects, which leave us wondering what we did last year and, more profoundly, where we have gone and quite what we have amounted to.... How different everything is for the craftsman who ... can step back at the end of a day or lifetime and point to an object--whether a square of canvas, a chair or a clay jug--and see it as a stable repository of his skills and an accurate record of his years, and hence feel collected together in one place, rather than strung out across projects which long ago evaporated into nothing one could hold or see.”