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A Joseph Campbell Companion: Reflections on the Art of Living

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Joseph Campbell
Joseph Campbell

Joseph Campbell was an American writer, scholar, and mythologist, renowned for his studies of world mythology. His work, 'The Hero with a Thousand Faces', has had a profound impact on modern culture, widely used in literature, film, and psychology fields. more

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“We are never anywhere but where we are even when much of that "where" is moving in some direction or other towards somewhere else. We cannot --right now-- know more than we know, have prepared or studied or rehearsed more than we actually did, be more beautiful or wiser or wittier or wealthier or healthier or stronger or better rested than we actually are. So go out and sing. Express your love laid bare and open. Be the fully imperfect glorious creature that you are. Dance in the rain.”

“I glanced between the grass and the crowd and the cluster of musicians coaxing such lively music from drums and fiddles and pipes as I approached, no more than a shy, hesitant doe. Once, those same sounds had shaken me awake, had made me dance and dance. I supposed they were now little more than weapons in my arsenal as I stopped before Tamlin, lowered my lashes, and asked softly, 'Will you dance with me?' Relief, happiness, and a slight edge of concern. 'Yes,' he breathed. 'Yes, of course.' So I let him lead me into the swift dance, spinning and tilting me, people gathering to cheer and clap. Dance after dance after dance, until sweat was running down my back as I worked to keep up, keep that smile on my face, to remember to laugh when my hands were within strangling distance of his throat.”

“On the television screen were ballerinas. A buzzer sounded in George's head. His thoughts fled in panic, like bandits from a burglar alarm. "That was a real pretty dance, that dance they just did," said Hazel. "Huh" said George. "That dance-it was nice," said Hazel. "Yup," said George. He tried to think a little about the ballerinas. They weren't really very good-no better than anybody else would have been, anyway. They were burdened with sashweights and bags of birdshot, and their faces were masked, so that no one, seeing a free and graceful gesture or a pretty face, would feel like something the cat drug in. George was toying with the vague notion that maybe dancers shouldn't be handicapped. But he didn't get very far with it before another noise in his ear radio scattered his thoughts. George winced. So did two out of the eight ballerinas.”