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Quote by Jennifer Crusie

“He began to eat, only half-distracted by Agnes's food this time- the ham crisp and sweet, the cakes thick and light, studded with pecans, the syrup falling in ropes to mix with the melting butter”

Quote by Jennifer Crusie

Book:Agnes and the Hitman
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Work

Agnes and the Hitman

The story follows Agnes, a young woman with a mysterious past, who finds herself entangled with a hitman. The narrative explores themes of trust, vulnerability, and the complexities of human relationships. more

Author

Jennifer Crusie
Jennifer Crusie

Jennifer Crusie, born in 1949, is a renowned American female author. Her works are known for their humor, wit, and profound emotional descriptions, which have won her a large following among readers. more

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“…in that moment, as he saw and smelled how irresistible its effect was and how with lightning speed it spread and made captives of the people all around him—in that moment his whole disgust for humankind rose up again within him and completely soured his triumph, so that he felt not only no joy, but not even the least bit of satisfaction. What he had always longed for—that other people should love him—became at the moment of his achievement unbearable, because he did not love them himself, he hated them. And suddenly he knew that he had never found gratification in love, but always only in hatred—in hating and in being hated.”

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Book:Perfume: The Story of a Murderer
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“The Louis XIII style in perfumery, composed of the elements dear to that period - orris-powder, musk, civet and myrtle-water, already known by the name of angel-water - was scarcely adequate to express the cavalierish graces, the rather crude colours of the time which certain sonnets by Saint-Amand have preserved for us. Later on, with the aid of myrrh and frankincense, the potent and austere scents of religion, it became almost possible to render the stately pomp of the age of Louis XIV, the pleonastic artifices of classical oratory, the ample, sustained, wordy style of Bossuet and the other masters of the pulpit. Later still, the blase, sophisticated graces of French society under Louis XV found their interpreters more easily in frangipane and marechale, which offered in a way the very synthesis of the period. And then, after the indifference and incuriosity of the First Empire, which used eau-de-Cologne and rosemary to excess, perfumery followed Victor Hugo and Gautier and went for inspiration to the lands of the sun; it composed its own Oriental verses, its own highly spiced salaams, discovered intonations and audacious antitheses, sorted out and revived forgotten nuances which it complicated, subtilized and paired off, and in short resolutely repudiated the voluntary decrepitude to which it had been reduced by its Malesherbes, its Boileaus, its Andrieux, its Baour-Lormians, the vulgar distillers of its poems.”

Perfumery
Book:Against Nature
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