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Quote by Jill Magid

“I often use official documents or bureaucratic forms within my work. I find their structure and language style leaves a lot of room for poetry and my own interpretation.”

Quote by Jill Magid

Author

Jill Magid

Jill Magid is a contemporary artist known for her work at the intersection of art, law, and identity. Her practice often involves investigation and performance, exploring themes of personal identity, power structures, and social justice. more

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“The writings are often written in a kind of exhaustion or delirium, I try very hard not to censor myself, to be as honest and vulnerable as possible, as one would in a diary. As a child I used to write my diaries backwards in cursive. No one else could understand them. I think it trained me to be bold and admit feelings that I might feel otherwise scared to write down.”

“When I approach a more mature age, I am not going to live in America. Visiting my grandmother, when she was 94, which is a very long life in Cambodia, I saw how important it was that she was in a community with my sisters, brothers and all grandchildren were so involved in her life. I liked that experience so much more than visiting my sister-in-law's grandparents in a nursing home. It's about looking at a community through your window versus being part of a community that's alive, that is youthful and old and hungry and smelly and loud, where everything is vibrant and colorful.”

“I think living in the West, we live in a culture where everybody strives for perfection, whether it's in body, health, spirit, skin, hair, nails. Perfect happiness would be a constant state of bliss, which doesn't exist. Growing up and going through the loss I went through, I never had a moment where I believed a constant state of bliss was possible. Instead, I tried to create many moments. But, I didn't know how to get there. Because of what I went through, I have a natural tendency towards darkness. Though it may be in my DNA as well.”

“For me, choosing happiness has to be something that's conscious, a choice, something I act on. And I think this is something really difficult in a society where there's this falsehood that there's sunshine everywhere and all you have to do is hook yourself up to it. We're Combodians such an optimistic culture, but sometimes we have to work a lot harder to find it.”

“Choosing happiness is a scary thing. Choosing love is a scary thing. When I was in the war, not only did I not have a voice, but I had to make myself not be heard, not be seen, become dumb, mute, blind, invisible, just so I could survive. When you fall in love, you become alive, all of a sudden you are singing. For me, there was a fear that the person I love would one day leave me, whether by their own choice or that they would die. How was I going to survive that? Choosing love and happiness is to know life goes on. I had to believe that.”