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Quote by Riccardo Tisci

“I was lucky. From the time I was a little, I was always surrounded by women, and I am very attracted to the feminine world, because I love the strength and romanticism, which in the end, you can find in my style.”

Quote by Riccardo Tisci

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Riccardo Tisci
Riccardo Tisci

Riccardo Tisci, born on August 1, 1974, is an influential fashion designer from Italy. Known for his unique aesthetic and creative vision, Tisci served as the chief designer of Givenchy, revolutionizing the brand. His design style blends classical and modern elements, winning him popularity among the fashion industry and the public. more

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“I think being from Iran sharpened my eye as an art dealer. This is why, today, I think the true definition of so-called postmodernism is the acceptance that we cannot go by old models any longer. The old models were based upon a single narrative of development that happened along a singular path. In the 20th century, you have electricity, you have transportation by plane, you have the telephone and all the various media that developed, you have a multiplicity of events and voices and creativities that are happening all around the world-and that multiplicity escalated after the war.”

“The breakdown of the modern movement led to what later became known as postmodern-whatever the hell that means-referring to the mixture of people and backgrounds that became a common thing among artists in America. Many of the great artists in America, for example, came from Jewish families and backgrounds that fled all the way from Russia. It's remarkable, the great masters of American art and cinema who were coming from old roots in little villages there. And then Hollywood, and the haunting, hypnotic impact that American Cinema had throughout the world . . .”

“For me, being Christian Armenian, born into the Islamic culture in Iran and then, at the age of 13, being sent to England and embracing the English culture and becoming part of so-called swinging London and the era of euphoria and celebration that the '60s represented is very critical. It was a moment when, for the first time, the business of internationalism was being effectively represented-in music, art, cinema, design. Before that, everything was directed toward the old industry, the old school, the old format, and there was no room for varieties to evolve.”