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Quote by Yu Hua

“Seen in this way, it represents a challenge of the grassroots to the elite, of popular to the official, of the weak to the strong... ...More than twenty years have passed since Tiananmen protests of 1989, and from today's perspective their greatest impact has been the lack of progress in reforming the political system. It's fair to say political reform was taking place in the 1980s, even if its pace was slower than that of economic reform. After Tiananmen, however, political reform ground to a halt, while economy began breakneck development. Because of this pradox we find ourselves in a reality full of contradictions: conservative here, radical there; the concentration of political power on this side, the unfettering of economic interests on that; dogmatism on the one hand, anarchism on hte other; toeing the line here, tossing away the rule book there. Over the past twenty years our development has been uneven rather than comprehensive, and this lopsided development is compromising the health of our society. It seems to me that the emergence - and unstoppable momentum - of the copycat phenomenon is an inevitable consequence of this lopsided development. The ubiquity and sharpness of social contradictions have provoked confusion in people's value systems and worldview, thus giving birth to the copycat effect, when all kinds of social emotions accumulate over time and find only limited channels of release, transmuted constantly into seemingly farcical acts of rebellion that have certain anti-authoritarian, anti-mainstream, and anti-monopoly elements. The force and scale of copycatting demonstrate that the whole nation has taken to it as a form of performance art.”

Quote by Yu Hua

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Yu Hua

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“Studying the world's oldest writing for the first time compels you to wonder about what writing is and how it came about more than five thousand years ago and what the world might have looked like without it. Writing as I would define it serves to record language by means of an agreed set of symbols that enable a message to be played back like a wax cylinder recording. The reader's eye runs over the signs and tells the brain how each is pronounced and the inner message springs into life.”

“The daughter of Sin was determined to go To the dark house, dwelling of Erkalla's god, To the house which those who enter cannot leave, On the road where travelling is one-way only, To the house where those who enter are deprived of light, Where dust is their food, clay their bread. They see no light, they dwell in darkness, They are clothed like birds, with feathers.”

“Berossos compiled his History from the temple archives of Babylon (reputed to have contained "public records" that had been preserved for "over 150,000 years"). He has passed on to us a description of Oannes as a "monster," or a "creature." However, what Berossos has to say is surely more suggestive of a man wearing some sort of fish-costume--in short, some sort of disguise. The monster, Berossos tells us: "had the whole body of a fish, but underneath and attached to the head of the fish there was another head, human, and joined to the tail of the fish, feet like those of a man, and it had a human voice ... At the end of the day, this monster, Oannes, went back to the sea and spent the night. It was amphibious, able to live both on land and in the sea ... Later, other monsters similar to Oannes appeared." Bearing in mind that the curious containers carried by Oannes and the Apkallu sages are also depicted on one of the megalithic pillars at Göbekli Tepe (and [...] as far afield as ancient Mexico as well), what are we to make of all this? The mystery deepends when we follow the Mesopotamian traditions further. In summary, Oannes and the brotherhood of Apkallu sages are depicted as tutoring mankind for many thousands of years. It is during this long passage of time that the five antediluvian cities arise, the centers of a great civilization, and that kingship is "lowered from heaven." Prior to the first appearance of Oannes, Berossos says, the people of Mesopotamia 'lived in a lawless manner, like the beasts of a field.”

“Another point of interest about the Tiahuanaco [in Bolivia] monoliths is that their garments from the waist down are patterned in the form of fish scales. Here, too, is a parallel to the Apkallus--the bearded, "fish-garbed figures" who brought high civilization to Mesopotamia [...]. Nor is it as though bearded figures are missing from the repertoire of Tiahuanaco. Two have survived, and one on the pillar in the semi-subterranean temple has been identified since time immemorial with the great civilizing deity Kon-Tiki Viracocha, [...] who is described in multiple myths and traditions as being white skinned and bearded.”

“By the fourth millennium BC, the Fertile Crescent was not the only region of coalesced communities; organized agricultural, military, religious, and administrative activity had also begun to appear in the Indus Valley, in what is now Pakistan. Even before written records, there is evidence of trade between these two regions. Archaeologists have discovered lamps and cups in Mesopotamia dating from the late fourth millennium BC and made from conch shells found only in the Indian Ocean and the Gulf of Oman.”