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Falling for the Ghost of You

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Nicole Christie

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“The shots and shouts of the attackers rang out quite clearly but were already gone some distance away. Here I lay on my back in the warm sun; under the circumstances, I would have been expected to spring to my feet and begin attempting to justify mu most awkward situation. Defying all the rules, still flat on my back, I cracked my heels together, threw my hand to my forehead in salute, and yelled up to the oberleutnant, "Funder Rauch died for the Führer, Folk, and the Fatherland!" Where there's a war, there have to be dead bodies, I reasoned”

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Book:An Unlikely Warrior: A Jewish Soldier in Hitler's Army
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“Let me make you an offer, little goat. We spar. If you lose, my cap is returned to me, unburnt. I continue to hunt as I have. And you give me your littlest finger.' 'To eat?' I ask, taking the flame away from the hat. 'If I like,' she returns. 'Or to wear like a brooch. What do you care what I do with it? The point is that it will be mine.”

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Book:The Queen of Nothing
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“But I found signs of their trespass: a burned patch planted with a fistful of grain, a tree felled or stripped of fruit, a deer strung up in a snare. I never saw a poacher. They were too cunning, and for cause: the foresters would take a man's hands and eyes and leave him to the mercy of the wolves for such an offense. It was bad enough to steal the king's game, but snares were an abomnination. The gods abhor weapons that leave the hand, coward' weapons such as javelins, bows and arrows, slings. No man or beast should die by such means.”

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Book:Firethorn
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“He will catch anything he can get his snares and traps around, he began, including cobras, monitor lizards, pythons, turtles, otters, civets (small carnivores), fishing cats, and more. He's not a huge fan of monkeys - they creep him out with their humanoid little faces, he said - but he'll catch them, too. Above all else, though, he prides himself on his skill at trapping pangolins, one of the most elusive but lucrative creatures in the forest.”

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Book:Poached: Inside the Dark World of Wildlife Trafficking
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“A critic can call any poem 'doggerel.' That is no more than a slur. 'Doggerel' or 'maudlin' or 'sappy' or 'sentimental' is in the ear of the listener. By the by, 'sentimental' is okay as it is defined as 'marked or governed by feeling, sensibility, or emotional idealism.' It is 'sentimentality' that is to be avoided, like the fiddleback spider, being as it is 'the quality or state of being sentimental to excess or in affectation.' Again we are faced with a judgement call and must keep a sharp eye on our outpourings to insure they are not overly gooey. The intellectual elite probably believe that most of the lyrics songwriters create are 'doggerel' of one kind or another--that is to say 'trivial"......the young songwriter has now been warned about the implacable nature of the enemy. Under a rather large umbrella, preferred twentieth-century taste in art of all kinds has been characterized by a kind of detachment, or sangfroid. It is simply not chic to be carried away in one's emotional reaction to a subject. All serious communication or complaint must be carefully wrapped in a protective coating of irony and/or satire.”

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Book:Tunesmith: Inside the Art of Songwriting
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