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The Poetical Works of John Sterling

This volume gathers the poetic writings of John Sterling, a 19th-century British writer known for his association with the literary circle of Thomas Carlyle. The poems explore themes common to the Victorian era, including nature, spirituality, and moral reflection. Sterling's verse often exhibits a formal, classical style influenced by Romantic poetry. The collection provides insight into the intellectual and creative output of a figure who was more widely recognized for his essays and correspondence than his poetry. more

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John Sterling
John Sterling

John Sterling, born on July 4, 1948, is a renowned announcer. He has extensive experience in sports commentary and is known for his professional style and in-depth analysis. more

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“The philosophic mind inclines always to an elaborate life--the life of Goethe or of Leonardo da Vinci; but the life of the poet isintense--the life of Blake or of Dante--taking into its centre the life that surrounds it and flinging it abroad again amid planetary music.”

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“Every night as I gazed up at the window I said softly to myself the word paralysis. It had always sounded strangely in my ears, like the word gnomon in the Euclid and the word simony in the Catechism. But now it sounded to me like the name of some maleficent and sinful being. It filled me with fear, and yet I longed to be nearer to it and to look upon its deadly work.”

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Book:The Dead and Other Stories: A Broadview Anthology of British Literature Edition
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“The personality of the artist, at first a cry or a cadence or a mood and then a fluid, and lambent narrative, finally refines itself out of existence, impersonalises itself, so to speak. The aesthetic image in the dramatic form is life purified in and reprojected from the human imagination. The mystery of aesthetic like that of material creation is accomplished. The artist, like the God of the creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails.”

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“The romantic temper, so often and so grievously misinterpreted and not more by others than by its own, is an insecure, unsatisfied, and impatient temper which sees no fit abode here for its ideals and chooses therefore to behold them under insensible figures. As a result of this choice it comes to disregard certain limitations. Its figures are blown to wild adventures, lacking the gravity of solid bodies, and the mind that has conceived them ends by disowning them.”

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