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Human Imagination Quotes

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Human Imagination Quotes

“Holly is living proof that C.S. Lewis was right when he said that a good atheist can't be too careful of her reading. A lover of the word, she discovered through it the love of the Logos, whose beauty fills all of creation. She found the courage to follow the spilled drops of human imagination back to the One who ‘reflects the glory of God and bears the very stamp of his nature, upholding the universe by his word of power' (Heb 1:3).”

“One reaches through to the continents and oceans of the imagination, worlds able to sustain anyone who will but play, and then lets the play deepen and deepen until it is a reality that few would even dare to entertain...The human imagination is the holographic organ of the human body, and we don't 'imagine' anything. We simply see things so far away that there is no possibility of validating or invalidating their existence.”

“Grant that the idea of God is the most splendid single act of the creative human imagination, and that all his multiple faces and attributes correspond to some need and satisfy some deep desire in mankind; still, for the Inquirers, it is impossible not to conclude that this mystical concept has been harnessed rudely to machinery of the most mundane sort, and has been made to serve the ends of an organization which, ruling under divine guidance, has ruled very little better, and in some respects, worse, than certain rather mediocre but frankly manmade systems of government.”

“Mars tugs at the human imagination like no other planet. With a force mightier than gravity, it attracts the eye to its shimmering red presence in the clear night sky. It is like a glowing ember in a field of ethereal lights, projecting energy and promise. It inspires visions of an approachable world. The mind vaults to thoughts of what might have been (if Mars were a litter closer to the warming Sun) and of what could be (if humans were one day to plant colonies there).”

“The personality of the artist, at first a cry or a cadence or a mood and then a fluid, and lambent narrative, finally refines itself out of existence, impersonalises itself, so to speak. The aesthetic image in the dramatic form is life purified in and reprojected from the human imagination. The mystery of aesthetic like that of material creation is accomplished. The artist, like the God of the creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails.”

“It seems to me that this whole alone is worthy of the deeper sort of love; and that there is peace, freedom, I might say a kind of salvation, in turning one's affections outward toward this one God, rather than inwards on one's self, or on humanity, or on human imaginations and abstractions - the world of the spirits.”

“Let me define a garden as the meeting of raw nature and the human imagination in which both seek the fulfillment of their beauty. Every sign indicates that nature wants us and wishes for collaboration with us, just as we long for nature to be fulfilled in us. If our original state was to live in a garden, as Adam and Eve did, then a garden signals our absolute origins as well as our condition of eternity, while life outside the garden is time and temporality.”

“Everything that I see must become personal; otherwise, it is dead and mechanical. Our only chance to escape the blight of mechanization, of acting and thinking alike, of the huge machine which society is becoming, is to restore life to all things through the saving and beneficent power of the human imagination.”

“Without leaps of imagination, or dreaming, we lose the excitement of possibilities. Dreaming, after all, is a form of planning.”

“There are only two worlds - your world, which is the real world, and other worlds, the fantasy. Worlds like this are worlds of the human imagination: their reality, or lack of reality, is not important. What is important is that they are there. these worlds provide an alternative. Provide an escape. Provide a threat. Provide a dream, and power; provide refuge, and pain. They give your world meaning. They do not exist; and thus they are all that matters.”

“There are things that are more important than the news and what’s happening today. There are these archetypes which are part of the human imagination since humans were presumably imaginative. And I think that’s what [people] find touching, these eternal ideas. It’s one of the things that makes fantasy something that tends to stand the test of time because we’re reading, 50 years later, The Lord of the Rings.”

“I felt no shame in these activities, because I understood what almost no one else seemed to grasp: that there was only an infinitesimal difference, a difference so small that it barely existed except as a figment of the human imagination, between working in a tall green glass building on Park Avenue and collecting litter in a park. In fact, there may have been no difference at all.”

“The human imagination may be the most elastic thing in the universe, stretching to encompass the millions of dreams that in centuries of relectless struggle built modern civilization, to entertain the endless doubts that hamper every human enterprise, and to conceive the vast menagerie of boogeymen that trouble every human heart.”

“Dreaming, after all, is a form of planning.”

“Architecture is the triumph of human imagination over materials, methods, and men, to put man into possession of his own Earth. It is at least the geometric pattern of things, of life, of the human and social world. It is at best that magic framework of reality that we sometimes touch upon when we use the word order.”