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Quote by Leah Myers

“I was working towards my bachelor's degree in creative writing at Arizona State University when videos, pictures, and stories from these protests started blooming across my Facebook feed. I saw Native people holding their ground and being ground down by the opposing police force. I saw them bitten by dogs and hosed down and maimed by rubber bullets hitting their faces and bodies, all while bright white words scrolled across the bottom of the video, explaining the situation and giving statistics.”

Quote by Leah Myers

Work

Thinning Blood: A Memoir of Family, Myth, and Identity

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Author

Leah Myers

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“We are, all of us, exploring a world none of us understands...searching for a more immediate, ecstatic, and penetrating mode of living...for the integrity, the courage to be whole, living in relation to one another in the full poetry of existence. The struggle for an integrated life existing in an atmosphere of communal trust and respect is one with desperately important political and social consequences...Fear is always with us, but we just don't have time for it. -Commencement Speech, Wellesley 1969”

“All desire to laugh fled. How exactly did Strike think that it would cheer Robin up, to know that his girlfriend was thinking of buying a ludicrously expensive flat? Or was he about to announce (Robin's fragile mood began to collapse in on itself) that he and Elin were moving in together? Like a film flickering rapidly before her eyes she saw the upstairs flat empty, Strike living in luxury, herself in a tiny box room on the edge of London, whispering into her mobile so that her vegan landlady did not hear her.”

“Jeg kalder nyttige Bøger dem, som sette Boghandlere udi Activitet, som forfremme Handel, og komme deres Gryder til at kaage, ikke saadanne, der sigte alleene til forfængelig Lærdom, som Almuen, der er Landets Styrke, ikke forstaaer, og derfore gemeenligen oplægges med Boghandlernes største Skade, og ligge skimlede paa Bogladene.”

“Okay, so I know I’m not the last bookseller. People still sell books. But I’m one of the last of a certain kind of bookseller. The kind that for six hundred years rooted around basements, book bins, and bookstores looking for, sometimes, rare books or, more often, secondhand books. They were the hunter-gatherers of the book business, the travelers and pick-ers, who spent their lives saving books that might otherwise have been lost. They are, now, nearly extinct, driven to ground by the machines—the cell phones, personal computers, and, especially, the internet—that replaced them at the end of the twentieth century.”

“I had no songs in my repertoire for commercial radio anyway. Songs about debauched bootleggers, mothers that drowned their own children, Cadillacs that only got five miles to the gallon, floods, union hall fires, darkness and cadavers at the bottom of rivers weren't for radiophiles. There was nothing easygoing about the folk songs I sang. They weren't friendly or ripe with mellowness. They didn't come gently to the shore. I guess you could say they weren't commercial. Not only that, my style was too erratic and hard to pigeonhole for the radio, and songs, to me, were more important that just light entertainment. They were my preceptor and guide into some altered consciousness of reality, some different republic, some liberated republic. Greil Marcus, the music historian, would some thirty years later call it "the invisible republic." Whatever the case, it wasn't that I was anti-popular culture or anything and I had no ambitions to stir things up. i just thought of popular culture as lame as hell and a big trick. It was like the unbroken sea of frost that lay outside the window and you had to have awkward footgear to walk on it. I didn't know what age of history we were in nor what the truth of it was. Nobody bothered with that. If you told the truth, that was all well and good and if you told the un-truth, well, that's still well and good. Folk songs taught me that.”