Quotessence
Home / Quotes / Quote by Mary Lascelles

Quote by Mary Lascelles

“Mannerism, especially when it takes the form of recurrent word or phrase, is by no means easy to represent; there is but a hair's breadth between the point at which the reader delightfully recognizes is as a revealing habit of speech, and the point at which its iteration begin to weary him.”

Quote by Mary Lascelles

Book:Jane Austen And Her Art
Create image

Work

Jane Austen And Her Art

Browse quotes and source details for this work. more

Author

Mary Lascelles

Browse famous quotes and profile details for Mary Lascelles. more

You May Also Like

“Indians abroad tend to stick together. They join Indian clubs, regularly visit mosques, temples and gurdwaras and eat Indian food at home or in Indian restaurants. Very rarely do they mix with the English on the same terms as they do with their own countrymen. This kind of island-ghetto existence feeds on stereotypes - the English are very reserved; they do not invite outsiders to their homes because they regard their homes as their castles; English women are frigid, etc. I discovered that none of this was true. In the years that followed, I made closer friends with English men and women than I did with Indians. I lived in dozens of English homes and shared their family problems. And I discovered to my delight that nothing was further from the truth that the canard that English women are frigid.”

EnglandFamily LifeFamiliarityEnglishmenStereotypesMannerismEnglish PeopleStereotyped PrejudicesSubcontinentManners And ClassIndians Abroad
Book:Truth, Love & A Little Malice
Create image

“But the artistic program of the Counter Reformation, the propagation of Catholicism through the medium of art among the braod masses of the population, is frist accomplished by the baroque. It is obvious that what was in the mind of the Council of Trent was not an art which, like mannerism, appealed merely to a thin stratum of intellectuals, but a people's art, such as the baroque in fact became. At the time time of the Council, mannerism was the most widespread and the most live form of art, but it in no way represented the particular direction which was best calculated to solve the artistic problems of the Counter Reformation. The fact that it had to yield to the baroque is to be explained, above all, by its inability to master the ecclesiastical tasks committed to art by the Counter Reformation.”

BaroqueMannerismCounter ReformationPeople S Art
Book:The Social History of Art: Volume 2: Renaissance, Mannerism, Baroque
Create image

“They were torn by force, on the one hand, and by freedom, on the other, and stood defenseless against the chaos that threatened to destroy the whole order of the intellectual world. In them we encounter for the first time the modern artist with his inward strife, his zest for life and his escapism, his traditionalism and his rebelliousness, his exhibitionistc subjectivism and the reserve with which he tries to hold back the ultimate secret of his personality. From now on the number of cranks, eccentrics, and psychopaths among the artists increases from day to day.”

ArtistsPsychopathMannerism
Book:The Social History of Art: Volume 2: Renaissance, Mannerism, Baroque
Create image

“Tradition is here nothing but a bulwark against the all too violently approaching storms of unfamiliar, an element which is felt to be a principle of life but also of destruction. It is impossible to understand mannerism if one does not grasp the fact that its imitation of classical models is an escape from the threatening chaos, and that the subjective over-straining of its forms is the expression of the fear that form might fail the struggle with life and art fade into soul-less beauty.”

ArtTraditionChaosMannerism
Book:The Social History of Art: Volume 2: Renaissance, Mannerism, Baroque
Create image

“But is is by no means those aspects of Dürer's style which it shares with Italian art that makes it so attractive especially for Pontormo and those who like him, but rather the spiritual depth and inwardness - in other words, the qualities which they miss most in classical Italian art. The antitheses of "Gothic" and "Renaissance", however, which are largely smoothed out in Dürer himself, are still irreconciled and irreconcilable in the outlook of mannerism.”

GothicRenaissanceMannerismIrreconcilableSpiritual DepthDürer
Book:The Social History of Art: Volume 2: Renaissance, Mannerism, Baroque
Create image

“The ox was bad enough, Mina thought as she checked out the damage to her vegetables, yet now I have goats to torment me. However, if the goru was like the king, then the goats must be like the political parties, so maybe in the end her life won’t be so different after all? Yet she had to make sure that it would be different this time somehow, at least for Sidip’s sake, if for no other reason.”

DeterminationSlice Of LifePersonal StrugglePollitics
Book:To Revolt Is a People's Right
Create image

“Footnote 24 I can't help but hear an echo of Nietzsche's question of 'what type of man should be bred' in Weber's 1895 - the same year that The Antichrist was first published - inaugural lecture 'The Nation State and Economic Policy,' when he writes that 'the question which stirs us as we think beyond the grave of our own generation is not the well-being human beings will enjoy [that of the last man?] in the future but what kind of people they will be' (quoted in Peter Lassman and Ronald Speirs, eds., Weber: Political Writings [Cambridge: Cambridge University Press, 1994], 15).”

Well BeingBeingNietzscheWeber
Book:Nietzsche's Great Politics
Create image