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Quote by John Shearman

“When a Mannerist artist breaks rules he does so on the basis of knowledge and not of ignorance. A considerable amount of North European architecture of the sixteenth century must be excluded for these reasons.”

Quote by John Shearman

Book:Mannerism
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Mannerism

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John Shearman

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“Tradition is here nothing but a bulwark against the all too violently approaching storms of unfamiliar, an element which is felt to be a principle of life but also of destruction. It is impossible to understand mannerism if one does not grasp the fact that its imitation of classical models is an escape from the threatening chaos, and that the subjective over-straining of its forms is the expression of the fear that form might fail the struggle with life and art fade into soul-less beauty.”

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Book:The Social History of Art: Volume 2: Renaissance, Mannerism, Baroque
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“But is is by no means those aspects of Dürer's style which it shares with Italian art that makes it so attractive especially for Pontormo and those who like him, but rather the spiritual depth and inwardness - in other words, the qualities which they miss most in classical Italian art. The antitheses of "Gothic" and "Renaissance", however, which are largely smoothed out in Dürer himself, are still irreconciled and irreconcilable in the outlook of mannerism.”

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Book:The Social History of Art: Volume 2: Renaissance, Mannerism, Baroque
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“The ox was bad enough, Mina thought as she checked out the damage to her vegetables, yet now I have goats to torment me. However, if the goru was like the king, then the goats must be like the political parties, so maybe in the end her life won’t be so different after all? Yet she had to make sure that it would be different this time somehow, at least for Sidip’s sake, if for no other reason.”

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Book:To Revolt Is a People's Right
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“Footnote 24 I can't help but hear an echo of Nietzsche's question of 'what type of man should be bred' in Weber's 1895 - the same year that The Antichrist was first published - inaugural lecture 'The Nation State and Economic Policy,' when he writes that 'the question which stirs us as we think beyond the grave of our own generation is not the well-being human beings will enjoy [that of the last man?] in the future but what kind of people they will be' (quoted in Peter Lassman and Ronald Speirs, eds., Weber: Political Writings [Cambridge: Cambridge University Press, 1994], 15).”

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Book:Nietzsche's Great Politics
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“The National Institute of Design is the only one of its kind in India; it is fabulously equipped, competition to enter is fierce, and standards should be high. But it is an imported idea, an imported institution, and it has been imported whole, just like that. In India, it has been easily divorced from its animating principle, reduced to its equipment, and has ended - admittedly after a controversial period: a new administrator had just been sent in - as a finishing school for the unacademic young, a playpen, with artisans called in to do the heavy work, like those dispirited men I saw upstairs squatting on the floor and working on somebody's chairs: India's eternal division of labour, frustrating the proclaimed social purpose of the Institute.”

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Book:India: A Wounded Civilization
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