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Quote by James Joyce

Work

James Joyce The Dover Reader

James Joyce The Dover Reader is a curated selection of James Joyce's most celebrated writings, offering readers a diverse and representative sampling of his work. The collection includes classic short stories, such as 'The Dead' and 'Araby,' as well as extracts from his seminal novels, including 'Ulysses' and 'A Portrait of the Artist as a Young Man.' The reader also features a selection of Joyce's poetry and critical essays, providing insight into his thoughts on literature and the creative process. This volume is designed to be an engaging and informative resource for students, scholars, and general readers interested in exploring the rich tapestry of Joyce's literary legacy. more

Author

James Joyce
James Joyce

James Joyce, born on February 2, 1882, and died on January 13, 1941, was an Irish novelist and one of the greatest writers of the 20th century. Known for his unique narrative techniques and profound psychological insights, Joyce is celebrated for his contributions to modernist literature. His most famous work is 'Ulysses', which is considered one of the greatest literary works of the 20th century. Other notable works include 'Dubliners' and 'Finnegans Wake'. more

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“Imagine some foul and putrid corpse that has lain rotting and decomposing in the grave, a jelly-like mass of liquid corruption. Imagine such a corpse a prey to flames, devoured by the fire of burning brimstone and giving off dense choking fumes of nauseous loathsome decomposition. And then imagine this sickening stench, multiplied a millionfold and a millionfold again from the millions upon millions of fetid carcasses massed together in the reeking darkness, a huge and rotting human fungus. Imagine all this, and you will have some idea of the horror of the stench of hell.”

“In this life our sorrows are either not very long or not very great because nature either overcomes them by habits or puts an end to them by sinking under their weight. But in hell the torments cannot be overcome by habit, for while they are of terrible intensity they are at the same time of continual variety, each pain, so to speak, taking fire from another and re-endowing that which has enkindled it with a still fiercer flame.”

“Poetry, even when apparently most fantastic, is always a revolt against artifice, a revolt, in a sense, against actuality. It speaks of what seems fantastic and unreal to those who have lost the simple intuitions which are the test of reality; and, as it is often found at war with its age, so it makes no account of history, which is fabled by the daughters of memory.”

“Every physical quality admired by men in women is in direct connection with the manifold functions of women for the propagation of the species.”

“Man and woman, love, what is it? A cork and a bottle.”