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Skeletons Quotes

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Skeletons Quotes

“And every time I've set out to meet life, I've met and embraced death. I've collected all my skeletons and bones from each of those moments and have stored them inside the closet that I own. The bones that the death wouldn't touch. And I guess now I have enough of them with me to build a bridge to the paradise in which life lives.”

“The glamour settled around him and left a smell like burning dust. Marra saw the outlines of flesh, a shadow of fur, and then Bonedog shook himself and he was a great gray dog with a skull like a battering ram and a blaze of white across his chest. His tail was still a narrow, bony whip but there was fur across it. He had immense jowls and when he looked up at Marra, they all sagged into a gigantic smile. 'Oh, Bonedog,' she said. He licked her hand and she could feel his tongue, not quite substantial but more than it had been.”

“I have always used the burqa because men are using the burqa in the name of culture and religion to take freedom from women. Women are alive, they have their own wishes and desires, but all the time they have to sacrifice that. They are a kind of skeleton, which doesn't have muscles. They're just breathing, like a kind of puppet that barely exists. If women spoke for their rights, they were beaten by their husbands. So they don't have a voice. They lose their voices and their wishes and their happiness.”

“In literature and in art, alike, this gloomy fashion of regarding Death has been characteristic of Christianity. Death has been painted as a skeleton grasping a scythe, a grinning skull, a threatening figure with terrible face and uplifted dart, a bony scarecrow shaking an hourglass - all that could alarm and repel has been gathered round this rightly-named King of Terrors.”

“There is something in the character of every man which cannot be broken in--the skeleton of his character; and to try to alter this is like training a sheep for draught purposes. GEORG CHRISTOPH LICHTENBERG, The Reflections of Lichtenberg We become familiar with the outsides of men, as with the outsides of houses, and think we know them, while we are ignorant of so much that is passing within them.”

“Everybody should do in their lifetime, sometime, two things. One is to consider death...to observe skulls and skeletons and to wonder what it will be like to go to sleep and never wake up-never. That is a most gloomy thing for contemplation; it's like manure. Just as manure fertilizes the plants and so on, so the contemplation of death and the acceptance of death is very highly generative of creating life. You'll get wonderful things out of that.”

“By Interstate 70: a dog skeleton, a vacuum cleaner, TV dinners, a doll, a pie, rolls of carpet.Later, next to the South Platte River: algae, broken concrete, jet contrails, the smell of crude oil. What I hope to document, though not at the expense of surface detail, is the form that underlies this apparent chaos.”

“Reelfoot is, and has always been, a lake of mystery.In places it is bottomless. Other places the skeletons of the cypress-trees that went down when the earth sank, still stand upright so that if the sun shines from the right quarter, and the water is less muddy than common, a man, peering face downward into its depths, sees, or thinks he sees, down below him the bare top-limbs upstretching like drowned men's fingers, all coated with the mud of years and bandaged with pennons of the green lake slime.”

“My curiosity was in no way cruel. Deviations from the commonplace attracted me strongly, as they still do; and to me the hermaphrodite and the living skeleton were interesting for the same reason as was Creatore, or the resplendent Guardsmen of the bands - because such people did not often come my way, and I hoped that they might impart some great revelation to me, some insight which would help me to a clearer understanding of the world about me.”

“There are houses in certain provincial towns whose aspect inspires melancholy, akin to that called forth by sombre cloisters, dreary moorlands, or the desolation of ruins. Within these houses there is, perhaps, the silence of the cloister, the barrenness of moors, the skeleton of ruins; life and movement are so stagnant there that a stranger might think them uninhabited, were it not that he encounters suddenly the pale, cold glance of a motionless person, whose half-monastic face peers beyond the window-casing at the sound of an unaccustomed step.”

“The rum fiend would like to go and hang up a skeleton in your beautiful house so that, when you opened the front door to go in, you would see it in the hall; and, when you sat at your table you would see it hanging from the wall; and, when you opened your bedroom you would find it stretched upon your pillow; and, waking at night, you would feel its cold hand passing over your face and pinching at your heart. There is no home so beautiful but it may be devastated by the awful curse.”

“I have a word for you. I know your whole life story. I know every skeleton in your closet. I know every moment of sin, shame, dishonesty and degraded love that has darkened your past. Right now I know your shallow faith, your feeble prayer life, your inconsistent discipleship. And my word is this: I dare you to trust that I love you just as you are, and not as you should be. Because you’re never going to be as you should be.”