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Puppets Quotes

Browse 294 quotes about Puppets.

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Puppets Quotes

“Politicians and corporate leaders who appeared to rule over their fellow humans were actually only puppets for the Masters, who used them to implement all their agendas to ensure a continuation of separation and control. In this way, when the populace became irate at a politician or corporate leader, the Masters would force them to resign from their position and have another puppet take their place. The populace would believe the problem had been taken care of and real change had occurred, that the root of the problem had been fixed, so they would rejoice and become complacent. When in actuality, the same old revolving-door record would play over and over again, with the real root of power, the Masters, staying at the helm of the ship.”

WisdomAgendasPoliticiansPuppetsBeasts Of SuccessCeosSocietal EngineeringRevolving DoorSocietal ManipulationRoot Of The Problem
Book:The Beasts of Success
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“Typically, in politics, more than one horse is owned and managed by the same team in an election. There's always and extra candidate who will slightly mimic the views of their team's opposing horse, to cancel out that person by stealing their votes just so the main horse can win. Elections are puppet shows. Regardless of their rainbow coats and many smiles, the agenda is one and the same.”

PoliticalPoliticsLeftRepublicanVoteHorseElectionDemocratCorruptionStealingOpponentsVotingAgendasVotersRightRainbowCostumesPoliticiansPolitical PhilosophyRight WingElectionsPuppetsSmilesLeft WingNominationsHorsesMasksAgendaCandidateElectPuppetVotesPresidential ElectionsPolitricksNomineesRainbow CoatSteal Votes
Book:Rise Up and Salute the Sun: The Writings of Suzy Kassem
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“One night, not long after signing over his inheritance, Nate said something to a customer that I overheard and would never forget. He said that he'd finally realized that he had never been the puppeteer, controlling his own destiny. Instead, he now realized that black people were just puppets on strings. The strings were so long that they reached far above them - so far out of their vision that they never saw or knew who the puppet masters were. He only knew that when they yanked at the strings and said to dance, he had no choice but to dance.”

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Book:Wade in the Water
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“What separates us into engineers and robots, puppeteers and puppets, kings and pawns, is not the status we hold at any given time among others - status is irrelevant; it is the level of ever-present awareness we have of a grey-matter tailor's tools [of flattery, persuasion, and cunning.]”

PeopleInfluenceAwarenessPerspectiveKingsSelf AwarenessSeparationQueensCharmManipulationEngineersPersuasionRobotsFlatteryCunningPuppetsOthersPawnsStatusMass InfluencePuppeteersGrey Matter Tailor
Book:Rise of the Morningstar
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“Those who earn their living by puppetry must satisfy the public demand, and so are to a large extent compelled to be conservative. As so often in other branches of the performing arts, it is only the amateur who can safely afford to experiment, to explore new forms and techniques, and to run the risk of failure.”

TheaterInnovationPuppetsExperimentationAmateursPuppetry
Book:Plays WIthout People: Puppetry and Serious Drama
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“I call the polar opposites to Wrong Planet people Rag, Tag & Bobtail because they’re really nothing but glove puppets. Their heads are little more than hollow wood and at times they seem to be controlled by strings and rods and levers with invisible hands inside them making them ‘perform.’ Most glove puppets have fixed facial expressions and a hinged mouth, giving them a dull, lifeless expression.”

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Book:Wrong Planet - Searching for your Tribe
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“March 1898 What a strange dream I had last night! I wandered in the warm streets of a port, in the low quarter of some Barcelona or Marseille. The streets were noisome, with their freshly-heaped piles of ordure outside the doors, in the blue shadows of their high roofs. They all led down towards the sea. The gold-spangled sea, seeming as if it had been polished by the sun, could be seen at the end of each thoroughfare, bristling with yard-arms and luminous masts. The implacable blue of the sky shone brilliantly overhead as I wandered through the long, cool and sombre corridors in the emptiness of a deserted district: a quarter which might almost have been dead, abruptly abandoned by seamen and foreigners. I was alone, subjected to the stares of prostitutes seated at their windows or in the doorways, whose eyes seemed to ransack my very soul. They did not speak to me. Leaning on the sides of tall bay-windows or huddled in doorways, they were silent. Their breasts and arms were bare, bizarrely made up in pink, their eyebrows were darkened, they wore their hair in corkscrew-curls, decorated with paper flowers and metal birds. And they were all exactly alike! They might have been huge marionettes, or tall mannequin dolls left behind in panic - for I divined that some plague, some frightful epidemic brought from the Orient by sailors, had swept through the town and emptied it of its inhabitants. I was alone with these simulacra of love, abandoned by the men on the doorsteps of the brothels. I had already been wandering for hours without being able to find a way out of that miserable quarter, obsessed by the fixed and varnished eyes of all those automata, when I was seized by the sudden thought that all these girls were dead, plague-stricken and putrefied by cholera where they stood, in the solitude, beneath their carmine plaster masks... and my entrails were liquefied by cold. In spite of that harrowing chill, I was drawn closer to a motionless girl. I saw that she was indeed wearing a mask... and the girl in the next doorway was also masked... and all of them were horribly alike under their identical crude colouring... I was alone with the masks, with the masked corpses, worse than the masks... when, all of a sudden, I perceived that beneath the false faces of plaster and cardboard, the eyes of these dead women were alive. Their vitreous eyes were looking at me... I woke up with a cry, for in that moment I had recognised all the women. They all had the eyes of Kranile and Willie, of Willie the mime and Kranile the dancer. Every one of the dead women had Kranile's left eye and Willie's right eye... so that every one of them appeared to be squinting. Am I to be haunted by masks now?”

DreamDeathMaskNightmareDeadPlaguePuppetsDecadenceMasksCholeraTownProstitutesMannequinsMannequinAutomataMarionettes
Book:Monsieur de Phocas
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“You know, a carving, especially if it’s polychrome, is not meant to move. These faces, these half-bodies, when you animate them, they’re more live than the living. They can be dangerous for those who don’t really understand them. With contained energy, no one can predict what will happen when it’s released.”

PuppetsPuppetMannequinsMannequinMarionetteDummiesMarionettes
Book:Paris Noir: The Secret History of a City
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“Jack Corman swore as he seized the window shutter and forced it to stop flapping. It had been striking the frame when he arrived at his father’s house, making a sound like gunshots that echoed across the street, and he was surprised the neighbours hadn’t come out to complain. Then again, Kettu House wasn't just any house. People tended to approach it with caution.”

MoviesPuppetsEightiesMuppetsThe Shadow Glass
Book:The Shadow Glass
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“Perhaps one of the chief distinctions between a Drama for Marionnettes and a Proper Drama is this ... that whereas a Proper Drama has to be vague and roundabout in its movements, a Marionnette Drama had always better be direct and rapid and even obvious ... A Marionnette is not at all clever -- not subtle. He must fit the characte rlike a hand fits a glove, or all is undone. Therefore when we make a character in one of our Dramas we make the Marionnette to fit it. And so it comes about that a Marionnette does not play a number of parts, he plays only one... that is himself.”

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Author:Edward Gordon Craig
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“In a world of democracies, in a world where the great projects that have set humanity on fire are the projects of the emancipation of individuals from entrenched social division and hierarchy; in such a world individuals must never be puppets or prisoners of the societies or cultures into which they have been born.”

WorldHas BeensHumanityCultureIndividualSocialBornDemocracyFireProjectsDivisionPrisonerHierarchyPuppetsEmancipationSocial Division
Author:Roberto Unger
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“There are two ways. One is to be a puppet, follow the culture, and do whatever they want. That was mentally disturbing to me, and still is. And the other way is to go out. I knew there would be problems from my family, and also from my environment. But I thought that physical pain would be better than the mental pain. And I started working as an artist.”

WayWantStillsTwoProblemWould BePainArtistCultureEnvironmentMy FamilyDisturbingTwo WaysPuppetsPhysical PainMental Pain
Author:Malina Suliman
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“I have always used the burqa because men are using the burqa in the name of culture and religion to take freedom from women. Women are alive, they have their own wishes and desires, but all the time they have to sacrifice that. They are a kind of skeleton, which doesn't have muscles. They're just breathing, like a kind of puppet that barely exists. If women spoke for their rights, they were beaten by their husbands. So they don't have a voice. They lose their voices and their wishes and their happiness.”

IfsMenKindUsedDesireCultureNamesWishVoiceLosesAliveRightsSacrificeHusbandBreathingMusclesSpokesBeatenMen WomenPuppetsSkeletonsBurqaCulture And Religion
Author:Malina Suliman
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“Here was the astounding fact: the race did go forward; the race did achieve; and in every way the race grew better. Progress through irrational and astounding blunders, whose outrageousness bedwarfed the wildest cliches of romance, was what Kennaston found everywhere. All this, then, also was foreplanned, just as all happenings at Storisende had been, in his puny romance; and the puppets, here to, moved as they thought of their own volition, but really in order to serve a denouement in which many of them had not any personal part or interest...”

WayFactsRomanceOrderFoundInterestRaceProgressAchieveGrewHappeningsMovedIrrationalClichePuppetsBlundersVolitionDenouement
Author:James Branch Cabell
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“To be sure, [NASCAR] stars were initially ex-bootleggers for the most part drawn from that talent pool in the Carolinas hills: "good ol' boys" as they referred to themselves. That's exactly how they would be described in the press that slowly became enamored with their raucous life style. That has all changed, with the drivers of today polished and clean-cut athletes who are expected to behave like commercial puppets in public.”

Would BeTodayStarsBoysCuttingTalentStyleChangedPressesCleanAthleteExpectedHillsBehaveDriversPoolExesPuppetsCarolinaPolishedEnamoredLife StyleNascar
Author:Brock Yates
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