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Do Virgins Taste Better? And Other Tales of Whimsy

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Mads Sukalikar

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“Rien n’est plus facile que d’être original moyennant un faux absolu, et cela l’est d’autant plus quand cet absolu est négatif, car détruire est plus facile que construire. L’humanisme, c’est le règne de l’horizontalité, soit naïve, soit perfide ; comme c’est – par là même – la négation de l’Absolu, c’est également la porte ouverte à une multitude d’absoluités factices, souvent négatives, subversives et destructives par surcroît. Il n’est pas trop difficile d’être original avec de telles intentions et de tels moyens ; il suffisait d’y penser. Remarquons que la subversion englobe, non seulement les programmes philosophiques et moraux destinés à saper l’ordre normal des choses, mais aussi – en littérature et sur un plan apparemment anodin – tout ce qui peut satisfaire une curiosité malsaine : à savoir tous les récits fantasques, grotesques, lugubres, « noirs », donc sataniques à leur façon, et propres à prédisposer les hommes à tous les excès et à toutes les perversions ; c’est là le côté sinistre du romantisme. Sans avoir la moindre crainte d’être « enfant » ni le moindre souci d’être « adulte », nous nous passons volontiers de ces sombres insanités, et nous sommes pleinement satisfaits de Blanche-Neige et de la Belle au bois dormant.”

LiteratureSnow WhiteSleeping Beauty
Book:To Have a Center
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“There are no happy endings, he knew, because nothing ends; and if there were any being dispensed, a great many worthier people would be in line for them long before Michael and Laura and himself. But the happiness of the unworthy and the happiness of the so-so is as fragile and self-centered and dear as the happiness of the righteous and the worthy; and the happiness of the living is no less short and desperate and forgotten than the joys of the dead.”

LivingDearWorthyFragileRighteousDeadHappy EndingsSelf CenteredUnworthyJonathan RebeckLaura DurandMichael MorganJoys Of The DeadNothing Ends
Book:A Fine and Private Place
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“Man searches constantly for identity, he thought as he trotted along the gravel path. He has no real proof of this existence except for the reaction of other people to that fact. So he listens very closely to what people say to one another about him, whether it's good or bad, because it indicates that he lives in the same world they do, and that all his fears about being invisible, impotent, lacking some mysterious dimension that other people have, are groundless.”

IdentityInvisibleProof Of ExistenceJonathan Rebeck
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“I had a good time that night, too," Michael said, "but I kept thinking, This is forever. This is forever. You will have this good time again and again, a million times over, until it will be like a play in which you and Laura and a few fugitive lives sit around an imaginary fire and talk and sing songs and love each other and sometimes throw imaginary brands at the eyes blinking beyond the circle of imaginary firelight. And then I thought - and this is where I sounded just like a real philosopher - And even when you admit that you know every line in the play and every song that will be sung, even when you know that this evening spent with friends is pleasant and joyful because you remember it as pleasant and joyful and wouldn't change it for the world, even when you know that anything you feel for these good friends has no more reality than a dream faithfully remembered every night for a thousand years - even then it goes on. Even then it has just begun.”

ForeverEternityJonathan RebeckLaura DurandMichael MorganA Dream RememberedFugitive LivesImaginary Firelight
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