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The Novel: An Alternative History: Beginnings to 1600

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Steven Moore

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“I suppose someone could trawl through the 383 volumes of Migne's Patrologiae Cursus Completus and extract some book-length hagiographies that qualify as novels — there had to be a few protonovelists who adopted hagiography as the only game in town, as painters of religious subjects learned to do — but that someone isn't me.”

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Book:The Novel: An Alternative History: Beginnings to 1600
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“Readers have been so conditioned that they feel embarrassed to admit that they find it hard to stomach the work of a literary giant for fear it would betray their plebian taste. The fact is that a few read, and fewer enjoy, the novels of those who sit on the literary pedestal. We have allowed ourselves to be persuaded that a book with a story can't be quite in the same class as a book that leaves us to interpret what is unsaid.”

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Book:A Carrot is a Carrot
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“He ran away a lot after that, still trying to find something exciting to make life less dull. His parents always said he was never satisfied, and would never be satisfied even if he found what he was looking for. Duncan hoped that wasn't true, but he wasn't sure. Taylor walked alongside Duncan, stepping on all of the fallen autumn leaves, and Duncan was sure it was a new song creating itself. That's how Taylor was. He heard music in the wind and in the crunch of leaves and new songs were growing out of his ears and Duncan was lost. That was it, he realized. Lost.”

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Author:Olive Grae
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“The "Monalisa Lisa" is an optical illusion created by Leonardo Da Vinci. The woman in the painting "The Mona Lisa" doesn't appear to be always smiling. When you look at the mouth you feel she looks sad, melancholic, and hostile. But when you look at the eyes you feel she is happy and cheerful. Leonardo perfected the "sfumato technique," which translated literally from Italian means "vanished or evaporated." He created imperceptible transitions between light and shade, and sometimes between colors. "Why the Silhouette?" appears as a simple story of a few individuals, but when you look at it from a distance, it appears to show you the philosophy of life. I have tried to create imperceptible transitions between light and darkness and sometimes between colors. Hope you see the illusion in "Why the Silhouette?”

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Book:Why the Silhouette?
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“They needed each other that in that moment. Two children cast in dire straits—opposite, yet so similar. Deep tragedy, near-complete amnesia, feelings of worthlessness, loneliness, and hatred eating both to the core, with no one on their side. In that moment, they discovered that they weren’t alone. That there was still hope. Still a chance for forgiveness.”

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Book:A Canticle of Two Souls
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