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Quote by Michael Ray

“I believe that if one can understand one's false personality or ego, then they can develop self-awareness and the manifesting of that self-awareness is leadership. Such a leader sets up the mechanisms within which creativity can flourish, and managers turn this into innovations in the marketplace and society. But it's never as clear-cut as I'm making it sound. It's much more dynamic, chaotic and fascinating in the way it plays out. That's why people have to operate more from their inner essence; it's the other constant that copes with the legendary constant of change.”

Quote by Michael Ray

Author

Michael Ray

Michael Ray, born on December 24, 1962, is a talented trumpet player. His musical career began in his youth, and with his exceptional musical talent and unwavering efforts, he has gradually made a name for himself in the music industry. Ray's musical style is unique, blending traditional jazz with modern elements, and has won the favor of music fans. more

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“The most important thing you can do individually and organizationally is to pay attention to your own creativity. Sports psychologists call this muscle memory or paying attention to your perfect performance. In your own life you can notice when you do something that works right for you and celebrate it. The more you do this, the greater the probability that you will act creatively in future situations.”

“Yes I can list all sorts of organizational forms and cultural issues that can get in the way of our accessing our inner creativity and bringing it out in our world. And we can use all kinds of approaches that can transform the organization. But unless we have developed a sense of our Self (who we are at core, at our highest) and our Work (the purpose of our existence, the gift that we have to give to the world) and use that to deal with the inner obstacle, we can't sustain creativity in the face of the chaos of the world.”

“I think that that phrase from the Bible is one of the best definitions of "creative." When you are creative, you are in the world in the sense that you see what it is and know its problems and possibilities. But you are not of the world in the sense that you are not caught up in external things and are coming from your inner resources to create approaches that are yours alone and have potential to change the world.”

“When you are living with the exhortation or live-with "Be in the World But Not of It," you experience your connection with all and the possibility of co-creativity and collaboration with those around you. You see an oneness in the world as opposed to warfare, even with those who are your enemies. You are not of the world of conflict, even though you have the strength to deal with it and turn it around. You have compassion in the sense of seeing the highest in yourself and then seeing that in others.”

“Living with the exhortation "Be in the World But Not of It," stimulates the best of your analytical skills, deepens your intuition, eliminates destructive competition, develops your skills and creativity serially and painlessly, and develops concentration, efficiency, accuracy, and humor. And that's what a creative life is all about: making it a work of art.”

“The most obvious and easiest answer if you've got a head injury is a better helmet. The problem is there's no evidence that it is the answer. I've watched a couple equipment manufacturers make presentations. They're very slick. They're very well done. And they usually start with the same disclaimer: there is no evidence that helmets reduce the frequency of concussions. You come away going "isn't this amazing?" It's so amazing you forget the opening line, that it doesn't do anything. It has no impact on concussions.”

“I didn't choose to be a guitar player. That was something that felt like it was chosen for me. And with that blessing and curse, I, throughout my entire career, it's been my job to weave my convictions into my vocation. And whether I'm standing in the streets of Chicago or the Occupy Wall Street or in Madison, Wisconsin, my job is to steel the backbone of people on the frontlines of social justice struggles, and to put wind in sails of those struggles. And people who are fighting on a, on a daily basis, at a grass roots level, for the things that I believe in.”

“There's a unique component of music that is different from, the written pamphlet or a speech. There's something, when you get the right combination of rhythm, melody and the right lyrical couplet, that feels like truth in the reptilian brain. There's something hardwired in our D.N.A.. And when you get a large group of people singing together in solidarity, it's something that, in my experience, and I've played countless demonstrations and protests through the years, it's something that can really help a struggle.”