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Quote by Sir Arthur Conan Doyle

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The Adventures of Sherlock Holmes

This book is a compilation of 56 short stories that showcase the brilliance and deductive reasoning of Sherlock Holmes, solving a variety of mysteries and crimes throughout Victorian London. The tales are known for their intricate plots and detailed character development, making them a cornerstone of detective fiction. more

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Sir Arthur Conan Doyle

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“She could envision Jesus out on the stormy waves calling her to join him, and not to depend on the laws of nature. She’d just need to keep her focus on the Savior and move forward in these tossing waves. To keep looking down on the watery sprays trying to sink her would be her undoing. As her father understood and often repeated, she now saw the storm warning. “You win some, you lose some.” Could Jesus defy natural endings?”

“She could envision Jesus out on the stormy waves calling her to join him, and not be distracted by the laws of nature. She’d just need to keep her focus on the Savior and move forward in these tossing waves. To keep focusing on the watery sprays trying to sink her would be her undoing. As her father understood and often repeated, she now saw the storm warning. “You win some, you lose some.” Could Jesus defy natural consequences-gravity?”

“Only with our modern civilization did we find ourselves forcibly inducted into this individual existence. Of course, we fight to retain this 'inalienable' right, and we are naturally driven to win it and defend it at all costs. We demand this freedom, this autonomy, as a fundamental human right and, at the same time, we are crippled by the responsibility that ends up making us detest ourselves as such. This is what resounds in the complaint of Job. God asks too much: ''What is man, that thou shouldest magnify him? And that thou shouldest set thy heart upon him? And that thou shouldest visit him every morning, and try him every moment? How long wilt thou not depart from me, nor let me alone till I swallow down my spittle? ' This leaves us subject to a contradictory twofold requirement: to seek an identity by all possible means - by hounding the identities of others or by exploring the networks - and to slough off identity in every possible way, as though it were a burden or a disguise. It is as though liberty and individuality, from having been a 'natural' state in which one may act freely, had become artificial states, a kind of moral imperative, whose implacable decree makes us hostages to our identities and our own wills. This is a very particular case of Stockholm Syndrome, since we are here both the terrorist and the hostage. Now, the hostage is by definition the unexchangeable, accursed object you cannot be rid of because you don't know what to do with it. The situation is the same for the subject: as hostage to himself, he doesn't know how to exchange himself or be rid of himself.”

“Much of our intellectual development is the story of how we learn to sort impressions: self or environment, rocks, trees, clouds, books, cats. It is a story of how we learn to judge and recognize colors, numbers, shapes, and abstract concepts. When we learn a new category, our internal model of the world rotates - often slightly, occasionally more.... Some shifts are emotional: holding a newborn in your hands and understanding just what a rich and varied life will come to this tiny seed of an individual, looking into the eyes of an animal and recognizing a kinship despite having traveled very different evolutionary paths. Some shifts are abstract: learning the crystalline pure beauty of a geometric proof's logic. Fractal geometry also represents a shift, both emotional and abstract...”

“Pregunta: ¿qué hacer para no perder el tiempo? Respuesta: sentirlo en toda su lentitud. Medios: pasarse los días en la antesala de un dentista en una silla inconfortable; vivir el domingo en el balcón, por la tarde; oír conferencias en una lengua que no se conoce; escoger los itinerarios del tren más largos y menos cómodos y viajar de pie, naturalmente; hacer la cola en las taquillas de los espectáculos, sin perder su puesto, etc., etc...”