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Quote by Kola Boof

“I don't see a huge difference between the African condition and the black American condition. The only real difference is that black Americans live in the richest country on Earth surrounded by a majority white population and are almost entirely disconnected from their original culture and their God-given identity.”

Quote by Kola Boof

Author

Kola Boof is a renowned author, born on March 3, 1969. Her works span various genres, including autobiography, novels, and poetry. Boof is known for her unique writing style and her focus on women's experiences. more

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“I was adopted my black Americans, I feel that I'm a 'Hybrid'. When I'm around Africans'I suddenly feel very black American. And when I'm around black Americans'I feel very North African. North Africa and black America are both the creators of Kola Boof.”

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“As for developing a writing style'I would say that I tried to copy the pacing of the old movies I loved as a kid.”

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“When I couldn't speak English, I loved silent films circa 1914-1929, Abel Gance being my favorite director.”

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“I loved 1930's women's pictures'films by Josef Von Sternberg or William Wyler. So, I fashioned a style out of that. The integrity and ethos of what I would write, however, came from the films of Ousmane Sembene and from reading Richard Wright, Toni Morrison, Sylvia Plath and Alice Walker.”

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“My sons are very protective and loving towards me, but I don't know what's in their secret minds about me.”

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“Men always liked me, because I was very damaged and unpredictable, my children's father claims that I have multiple personalities, but I don't.”

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“The question 'Why white kids love hip-hop?' forces us immediately to deal with the historical weight of race in America. On the surface people see hip-hop and race as nothing new. I think the ways young white Americans are engaging hip-hop suggest something more.”

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“I agree that a lot of mainstream corporate sold hip-hop is self-hating.”

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“After many years of hip-hop as a nation we should have the sophistication to accept that their are distinctions between the corporate manifestation of hip-hop, sold as a commodity and package with sensational race, sex and violent imagery, and the hip-hop culture that kids are living everyday at a local level, which often doesn't dabble in that terrain.”