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Quote by Sage Canaday

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Sage Canaday

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“Through systematic meditation one can awaken the third eye and touch the cosmic awareness. Sushumna nadi is the subtle pathway in the spinal cord which passes through the main psychic centers. The awakening of these centers means a gradual expansion of awareness, until it reaches the cosmic awareness. Each center has its own beauty and gracefulness. Through generations of ignorance and unconsciousness, this channel of awareness becomes obscured and hidden. Meditation is to become aware about this internal life energy. Meditation is the procedure to rearrange, harmonize, activate, and integrate the individual life energy with the cosmic life energy.”

“How is regeneration of the spinal cord in the salamander related to its initial development ? There is now evidence that in the salamander, the steps of progenitor cell-patterning and controlled neurogenesis that naturally regenerate a severed tail largely recapitulate the steps followed during early embryonic development to initially build the central nervous system. For example, ependymal cells are descendants of radial glial cells retained from the earliest developmental stages in regenerating vertebrates. The ependymal tube that gives rise to regenerated spinal cord following salamander tail amputation is very similar in appearance to the early structure of the neural tube of developing amniotes. But how does that recapitulation occur ? By using a transgenic axolotl that expresses green fluorescent proteins (GFPs), they further examined the regenerated spinal cord by replacing a segment of the spinal cord from a typical animal with a piece of the spinal cord from a GFP-expressing animal - that is, one with green fluorescent cells. They found that the implanted cells in the experimental animals regenerated a green spinal cord ! Thus, regeneration may be a more neural stem-cell like, or pluripotent, state as a response to injury.”

“To live for the hope of something isn’t really living at all, and so, like a child putting away its toys and picking up a tool, he marched to Lyca’s bathroom, to shower off the stench of failure, soap up the death of hope, then wash away the ashes of his love for Daphne.”

“When she opened her eyes they were confronted by a musical box against the opposite wall - one of those early Bavarian toys where mechanical figures perform to the tune. 'How odd,' she thought. The little stage showed a group of fiddlers, two couples in costumes like those of the ball she had just quitted, and in a doorway at the side, a gypsy or beggar man. Very faintly the distant waltz came to her ears, but no footsteps ringing in the abandoned halls. With her hand pressed to her unsteady heart, acting under a sudden compulsion, she pushed down the lever. Delicate plucked music started up; the fiddlers sawed with their clumsy arms in time to an ethereal waltz. The couples moved jerkily out and each raised an arm to clasp its partner. To various clicks and rumbles from under the floor they began to revolve with each other and to orbit round the room. Their movements were sinister because of being both reluctant and predestined. Here they were and this is was what they must do. ("Many Coloured Glass")”