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Quote by Maurice Levy

“I understand that people can start to say stop it, let me have a break and look at my emails without having an ad pop up.”

Quote by Maurice Levy

Author

Maurice Levy, born on February 18, 1942, is an outstanding businessman. He has over four decades of experience in the advertising and media industry and once served as the CEO of one of the world's largest advertising companies. Levy is renowned for his profound understanding of the advertising industry and innovative thinking. more

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“There are a lot of robots who can open clicks. And they can click instead of human beings and this is damaging the confidence and the trust that the client has on programmatic.”

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“Sometimes you believe that you are targeting a 25-35-year-old young woman and you see that there is a crowd of 78-year-old people who are coming to buy some underwear, so it's not exactly the same kind of underwear that you have to sell.”

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“Programmatic is a great thing. Let's be clear there's a zillion websites. It's extremely difficult to address messages.”

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“I started as a tap dancer in Durban, which is on the coast. That was an important part of growing up, turning on the radio in the morning and hearing Zulu singing or the news in Zulu.”

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“I grew up as a dancer. I did tap, classical ballet, all of that. I did Indian dancing, or Bharata Natyam, classic temple dancing from Madras, originally. My mother always had the great idea that I should learn it.”

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“It was very interesting growing up in South Africa then. It was extraordinary. It was multiculturalism before it became an issue.”

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“My father was a doctor. He was just a great guy, a gentle humanist, and an old-fashioned GP. He'd get up at three in the morning to see patients in different areas if they needed him.”

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“I was often the only white girl in the Indian dance class. That felt funny, but doing Indian dance was great.”

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“Here's what I've found in Louisiana: The voters want to know what you believe, what you stand for, and what you plan to do, not what shade your skin is.”

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“My art history papers were really politics. They were about the manifestation of culture through the eye of political events. So there was always that refusal to settle in one place, or one discipline or medium.”

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