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Quote by Pankaj Mishra

“Despite all the boosterish talk of globalization breaking down barriers, most writers in Anglo-America are still working within the nationalist assumptions of their traditionally powerful societies.”

Quote by Pankaj Mishra

Author

Pankaj Mishra
Pankaj Mishra

Pankaj Mishra is an Indian-born British essayist and historian, recognized for his insightful and critical essays on history, politics, and culture. Born in 1969, he has gained attention for his exploration of the complexities of modernity and its effects on the world. more

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“No self-respecting feminist could argue with the claim that the novel is more likely to accept existing power structures than not. But there's a vast difference, surely, between Dickens saying Indians should be exterminated and a Dave Eggers writing eloquently about the NSA, but not being as outspoken on American military power abroad.”

“There are some serious limitations in Mo Yan's situation as a writer in China today - just as there are for Jia Zhangke, one of the world's greatest film directors. He can only phrase his dissent obliquely, in his art. Writers in "free" societies labor under no such constraints. They can write more or less whatever they want in both their fiction and their commentary. Yet so many of them look oddly inhibited, even timid, and depressingly a couple of prominent figures actually positioned themselves to the right of their governments, intelligence agencies, and corporations.”

“I guess I am nostalgic for a time - the nineteenth century and early twentieth - when writers were, to use Stefan Collini's phrase, "public moralists" and politicians, plutocrats, bankers, arms dealers, and experts and technocrats were not solely defining the moral norms as well as the political lives of our societies. We do have some writers claiming to be public moralists, but, as I said, they have actually been more jingoistic than even the henchmen of Bush and Blair.”

“In the end, of course, all novelists will be judged by their novels, but let's not forget that we will also need new ways of assessing the latter. There are people who will continue to write nineteenth-century novels in the early twenty-first, and even win major prizes for them, but that's not very interesting, intellectually or emotionally.”

“Dickens didn't have access to any other epistemologies other than those prevailing in Britain. But a novelist today cannot plausibly claim ignorance of his society's manifold connections with the wider world, the fact that prosperity and security at home, for instance, often depend on extensive violence and exploitation abroad.”

“I think that Indian writing in English is a really peculiar beast. I can't think of any literature - perhaps Russian literature in the nineteenth century comes close - so exclusively produced by and closely identified with a tiny but powerful ruling elite, the upper-caste, Anglophone upper middle class, and dependent for so long on book buyers and readers elsewhere.”