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Quote by Erik Pevernagie

“If we are placed under the focus of collective scrutiny, our experience of mortality makes life fragile and intensifies the existential burden. It is not essential to avoid death or lament its inescapability but to embrace the absurdity and keep living fully, searchingly, or joyfully despite its incongruity. ("Living on probation")”

Quote by Erik Pevernagie

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Erik Pevernagie

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“It is not my purpose here to document the destruction caused by war [...] The point is to ask ourselves why these accounts have not had greater effect. [...] Why is it that many of us are deeply moved by visual art, fiction, and firsthand accounts of destruction and yet accept war as a means of resolving conflict or defending ourselves?”

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“There was a little sketch pad with a pink paper cover, a packet of handwritten notes in what looked like my grandmother's handwriting, a silk scarf of water lilies on a blue background, a black fountain pen with an ornate silver hand on it, a book of poems by American poets with a number of pages dog-eared (I made a mental note to see if "Mending Wall" was in there), a magnifying glass with a carved wooden handle, a book called 'Native Flowers of New England' with a ragged cloth binding, another clothbound book called the 'Berry Farmer's Companion', and a stack of twenty faded black-and-white photographs.”

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“She picked through the bits of jewelry, the stud earrings and ruby ring that belonged to their mother, Shirin. There was something almost meditative about this ritual of hers, combing through the photos and small keepsakes, even if she touched on some painful memories. It was as if her fingers were actually tracing the milestones each piece represented. Her hand closed on a smooth, round object, something resembling a marble egg. It was a miniature bar of lotus soap, still in its wrapper, bought on their last trip to the 'hammam'. The public bathhouse had been a favorite spot of theirs, a place the three of them liked to go to on Thursdays, the day before the Iranian weekend. Marjan held the soap to her nose. She took a deep breath, inhaling the downy scent of mornings spent washing and scrubbing with rosewater and lotus products. All at once she heard the laughter once again, the giggles of women making the bathing ritual a party more than anything else. The 'hammam' they had attended those last years in Iran was situated near their apartment in central Tehran. Although not as palatial as the turquoise and golden-domed bathhouse of their childhood, it was still a grand building of hot pools and steamy balconies, a place of gossip and laughter. The women of the neighborhood would gather there weekly to untangle their long hair with tortoiseshell combs and lotus powder, a silky conditioner that left locks gleaming like onyx uncovered. For pocket change, a 'dalak' could be hired by the hour. These bathhouse attendants, matronly and humorous for all their years spent whispering local chatter, would scrub at tired limbs with loofahs and mitts of woven Caspian seaweed. Massages and palm readings accompanied platters of watermelon and hot jasmine tea, the afternoons whiled away with naps and dips in the perfumed aqueducts regulated according to their hot and cold properties.”

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Book:Rosewater and Soda Bread
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“It was true. Sugar did treat her bees like next of kin but then again, they were. Along with her manners, the accent she tried so hard to soften, a single china cup covered in blue daisies and a weathered box of essential oils, they were all she carried with her from her past. Her bees relied on her for shelter and food but she relied on them too. She made her living from their honey, not just the healthful liquid itself but from the salves and gels and tinctures and remedies she created and sold at farm stands or farmers' markets wherever she lived. It was the most symbiotic of relationships.”

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“I continue opening boxes. I find more faded and cracked photographs than I ever want to see. I find many engraved invitations to the weddings of people who are no longer married. I find many mass cards from the funerals of people whose faces I no longer remember. In theory these mementos serve to bring back the moment. In fact they serve only to make clear how inadequately I appreciated the moment when it was here. How inadequately I appreciated the moment when it was here is something else I could never afford to see.”

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“The photograph of Ibrahim, Eric Mason and Eric's grandson was in a special file Ibrahim kept at home. A file filled with mementos, not too many, all reminding Ibrahim why he loved his job. The file is the only one on Ibrahim's shelves that isn't kept in strict alphabetical order. Because sometimes you had to remember that life wasn't always arranged in alphabetical order, however much you would like it to be.”

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Book:The Man Who Died Twice
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