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Disrupt With Impact: Achieve Business Success in an Unpredictable World

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Roger Spitz

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“No one can advise or help you- no one. There is only one thing you should do. Go into yourself. Find out the reasons that commands you to write; see whether it has spread its roots into the very depth of your heart; confess to yourself whether you would have to die if you were forbidden to write. This most of all: ask yourself in the most silent hour of your night: must I write? Dig into yourself for a deep answer. And if this answer rings out in assent, if you meet this solemn question with a strong, simple “I must,” then build your life in accordance with this necessity; your whole life, even into its humblest and most indifferent hour, must become a sign and witness to this impulse. Then come close to Nature. Then, as if no one had ever tried before, try to say what you see and feel and love and lose. Don’t write love poems; avoid those forms that are too facile and ordinary: they are the hardest to work with, and it takes a great, fully ripened power to create something individual where good, even glorious, traditions exist in abundance. So rescue yourself from these general themes and write about what your everyday life offers you; describe your sorrows and desires, the thoughts that pass through your mind and your belief in some kind of beauty- describe all these with heartfelt silent, humble sincerity and, when you express yourself, use the Things around you, the images from your dreams, and the objects that you remember. If your everyday life seems poor, don’t blame it; blame yourself; admit to yourself that you are not enough of a poet to call forth its riches; because for the creator there is no poverty and no poor, indifferent place. And even if you found yourself in some prison, whose walls let in none of the world’s sounds- wouldn’t you still have your childhood, that jewel beyond all price, that treasure home of memories? Turn your attention to it. Try to raise up the sunken feelings of this enormous past; your personality will grow stronger, your solitude will expand and become a place where you can live in the twilight, where the noise of other people passes by, far in the distance.”

LifeWritingArt
Book:Letters to a Young Poet
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“One day in summer when everything has already been more than enough the wild beds start exploding open along the berm of the sea; day after day you sit near them; day after day, the honey keeps on coming in the red cups and the bees like amber drops roll in the petals: there is no end, believe me! to the inventions of summer, to the happiness your body is willing to bear.”

ArtPoetryNatureSummerMary Oliver
Book:Devotions: The Selected Poems of Mary Oliver
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“Creativity isn't just about making art. Making your life is the ultimate creative act. I believe creativity is contagious, and when we put some of that into the world, it gets passed from person to person… I hope you're here because you know that embracing creativity will help you live a richer, more fulfilling, more connected life.”

LifeWritingArtCommunityCreativity
Book:Dear Writer: Pep Talks and Practical Advice for the Creative Life
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“In my hands is power. The power to hear or to destroy. To grant life or to cause death. I revere this gift, have honed it over time an art as magnificent and awesome as any painting in the Louvre. I an art, I am science. In all ways that matter, I am God. God must be ruthless and far-sighted. God studies his creations and selects. The best of these creations must be cherished, protected, sustained. Greatness rewards perfection. Yet even the flawed have purpose. A wise God experiment, considers, uses what comes into his hands and forges wonders. Yes, often without mercy, often with a violence the ordinary condemn. We who hold power cannot be detracted by the condemnations of the ordinary, by the petty and pitiful laws of simple man. They are blind, their minds are closed with fear-fear of pain, fear of death. They are too limited to comprehend that death can be conquered. I have nearly done so. If my work was discovered, they, with their foolish laws and attitudes, would damn me. When my work is complete, they will worship me.”

GodAwesomesauce
Book:Conspiracy in Death
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“یکی از شیوه های تعلیم رامبراند چنین بود که شاگردانش را در برابر آینه ای می نشاند ، کاغذ و قلم نقاشی به دستشان می داد، و از آنان می خواست از چهره ی خود طرح ها و تابلوهایی بپردازند و در این کار ممارست کنند تا تبحرشان مورد تأیید استاد قرار گیرد. از این روست که در گوشه و کنار دنیا و در مجموعه های خصوصی و‌ موزه ها به تابلوهای چهره نگاری متعددی از شاگردان جوان و نامدار رامبراند بر می خوریم.”

ArtPaintingهنرHistory Of Artتاریخ هنرنقاشی
Book:Rembrandt: A Life
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“At some point, Tracy sent me the demos for the next Static Saints album. I was knocked out, and soon became fixated on the song "Useful and Beautiful." It would likely be heard as an ode to sexual debasement, but I think it's also an invitation to root your life and your art in utility and beauty. I found myself returning endlessly to this question: How can we make Tracy's memoir more useful and more beautiful. I love that her song enacts what it extols. It reminds us that we can revel in sexual pleasure and perversity ("I've got uses, I've got bruises") while also opening up to become more expansive, more useful, and more beautiful ("Oh let me be a crashing wave. Oh let me be a secret cave.").”

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Book:Any Other City
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“È la poesia, è la pittura a svellere da questo mondo le preoccupazioni che gravano sulla nostra vita, a proiettare davanti ai nostri occhi un mondo gradito. O anche la musica e la scultura. Anzi, più precisamente, non v’è neppure necessità di proiettarlo. Basta concepirne l’immagine perché nasca la poesia, scaturiscano i versi. Anche senza fermare sulla carta l’ispirazione percepiamo in fondo all’anima il tintinnio cristallino delle sue gemme. Anche senza spalmare sul cavalletto il rosso e l’azzurro, lo splendore dei colori appare spontaneamente agli occhi della nostra anima. Basta riuscire a vedere così il mondo in cui viviamo, questo impuro e volgare mondo terrestre, e a riprodurlo limpido e sereno nella macchina fotografica della nostra mente. Perciò anche un poeta muto che non ha mai scritto un verso, un pittore senza colori che non ha mai dipinto neppure un piccolo ritaglio di seta, per come riescono a vedere il mondo, a liberarsi dalle sue passioni, a entrare e a uscire in quell’universo di purezza, a costruire... (less)”

ArtArtistArtePittura
Book:Kusamakura
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