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The Night Ends with Fire

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K.X. Song

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“Pans and other such objects are the very opposite of monuments. They don't commemorate revolutions or victories on the battlefield; don't allude to great contracts or those moments of upheaval that have an undeniably transformative effect on society. It's rarely possible to link them to one specific date, to say: 'From that day on, everything was different.' They belong not to the so-called big picture of history but instead to a realm that is far more intimate. Quiet, and overlooked. A realm that was long considered female--and, accordingly, insignificant.”

“In many languages such as Arabic or French, everything seems to have gender. As the name-givers have sexuality, so does everything they name, be it the sun, the moon, the fatherland, or God. Verbs and pronouns vary by gender, and it’s embarrassing to say them wrong. Some advocates of sexual equality suggest reforming language, so that people can be mentioned without gender-stereotyped labels. But various languages are already like that, and one of them is Persian.”

“Also, this formulation ‘the great man’ of course should bring up the question of women; are they included in this description? Or should we describe history as being the story of women wresting back the political power that they lost with the introduction of agriculture and the creation of surplus wealth? Would the gradual and unfinished defeat of patriarchy be the larger story of history? Along with, perhaps, the gradual and uncertain defeat of infection disease? So that we have been battling microparasites and macroparasites, eh? The bugs and the patriarchs?”