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Quote by Matthew Quick

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Forgive Me, Leonard Peacock

In this poignant and gripping narrative, Leonard Peacock, a seemingly ordinary high school student, is on the brink of a tragic decision. As he prepares for his final act, the story unfolds through his eyes, revealing a complex web of relationships and the profound impact they have had on his life. The novel delves into the complexities of friendship, the consequences of violence, and the search for redemption, offering a raw and honest portrayal of the human condition. more

Author

Matthew Quick
Matthew Quick

Matthew Quick is an American writer born in 1973. His works are known for their deep psychological portrayals and insights into the lives of teenagers. more

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“Ball busting [a friendly form of humor]...contains a fundamental flaw, one that has done immeasurable harm to the male psyche, and basically eliminated dance and music as potential outlets for bonding. That is the use of the term 'gaaay.' It's a form of self-policing, some fucked-up safe word that got called out if any behavior approached a level where it felt intimate or affectionate. Really anything that felt 'feminine,' and that list was long. It was not used to describe romantic attraction to another many--though it certainly insulted that entire idea in an inexcusable way--but instead was used to reinforce what Niobe Way, a psychology professor at NYU, calls the 'crisis of connection' among men. We so fear being called -gaaay- for making connections that are 'feminine' that we sacrifice intimacy for casual banter. It's a huge disconnect, perhaps the central one at the heart of the problems of with modern male bonding. And unlike many 'male' things, it cannot be blamed on genetics. It's cultural. It's learned.”

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“The newspaper was always behind the news, not in front. You shouldn't ever go to the papers for information. They usually printed what they thought people wanted to see, and they had no explanation to give. It wasn't the king they saw. That wasn't the king at all. It was the king's shadow. [...] The shadow king was a part of the English tradition. The English, the boy said, were fond of shadows. [...] Somebody asked if you were ever talking to a real man or a shadow when you talked to an Englishman [...] Some of them were the man and the shadow at the same time, but more shadow than man. [...] It was always difficult to distinguish between the man and the shadow, and sometimes it was all shadow. (p.49)”

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