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Quote by Whitney Otto

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Eight Girls Taking Pictures

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Author

Whitney Otto
Whitney Otto

Whitney Otto is an American author known for her unique sense of humor and profound insights. Her works often explore the complexities of modern life and human relationships. more

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“bitch power is the juice, the sweat, the blood that keeps pop music going. Rick James helped me understand the lesson of the eighth-grade dance: Bitch power rules the world. If the girls don't like the music, they sit down and stop the show. You gotta have a crowd if you wanna have a show. And the girls are the show. We're talking absolute monarchy, with no rules of succession. Bitch power. She must be obeyed. She must be feared.”

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“As he defended the book one evening in the early 1980s at the Carnegie Endowment in New York, I knew that some of what he said was true enough, just as some of it was arguably less so. (Edward incautiously dismissed 'speculations about the latest conspiracy to blow up buildings or sabotage commercial airliners' as the feverish product of 'highly exaggerated stereotypes.') Covering Islam took as its point of departure the Iranian revolution, which by then had been fully counter-revolutionized by the forces of the Ayatollah. Yes, it was true that the Western press—which was one half of the pun about 'covering'—had been naïve if not worse about the Pahlavi regime. Yes, it was true that few Middle East 'analysts' had had any concept of the latent power of Shi'ism to create mass mobilization. Yes, it was true that almost every stage of the Iranian drama had come as a complete surprise to the media. But wasn't it also the case that Iranian society was now disappearing into a void of retrogressive piety that had levied war against Iranian Kurdistan and used medieval weaponry such as stoning and amputation against its internal critics, or even against those like unveiled women whose very existence constituted an offense?”

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Book:Hitch 22: A Memoir
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“People think blood red, but blood don't got no colour. Not when blood wash the floor she lying on as she scream for that son of a bitch to come, the lone baby of 1785. Not when the baby wash in crimson and squealing like it just depart heaven to come to hell, another place of red. Not when the midwife know that the mother shed too much blood, and she who don't reach fourteen birthday yet speak curse 'pon the chile and the papa, and then she drop down dead like old horse. Not when blood spurt from the skin, on spring from the axe, the cat-o'-nine, the whip, the cane and the blackjack and every day in slave life is a day that colour red. It soon come to pass when red no different from white or blue or black or nothing. Two black legs spread wide and mother mouth screaming. A black baby wiggling in blood on the floor with skin darker than midnight but the greenest eyes anybody ever done seen. I goin' call her Lilith. You can call her what they call her.”

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“After all, as it says on a needlepoint sampler or throw pillow or the occasional bumper sticker: Good girls go to heaven, but bad girls go everywhere. In high heels. Or mules by Manolo Blahnik, the strappy, tangly kind that give you blisters. And when their feet start to hurt, they bitch about it a lot, until someone agrees to carry them home. Bad girls understand that there is no point in being good and suffering in silence. What good has good ever done? We women still only make seventy-one cents, on average, for every man's dollar. We still have to listen to studies telling us that a single woman over the age of 35 had best avoid airplanes because she is more likely to die in a terrorist attack than get married.”

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