“Adam Hochschild has enjoyed a long run of success with King Leopold’s Ghost, his distortionary 1998 tale about the État Indépendant du Congo (EIC). So long, in fact, that he appears unable to come clean about its many fabrications. It is not just the doctoring of the quotation that anchors the story of “chopped hands for red rubber” (which I am grateful he has admitted), but the vast skein of distortion in which that little dodge is embedded.”
Quote by Bruce Gilley
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The Ghost Still Haunts: Adam Hochschild responds to Bruce Gilley, who follows in kind
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Source: The Ghost Still Haunts: Adam Hochschild responds to Bruce Gilley, who follows in kind
Source: The Ghost Still Haunts: Adam Hochschild responds to Bruce Gilley, who follows in kind
Source: The Ghost Still Haunts: Adam Hochschild responds to Bruce Gilley, who follows in kind
Source: The Ghost Still Haunts: Adam Hochschild responds to Bruce Gilley, who follows in kind
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Source: The Ghost Still Haunts: Adam Hochschild responds to Bruce Gilley, who follows in kind
Source: The Ghost Still Haunts: Adam Hochschild responds to Bruce Gilley, who follows in kind
Source: The Ghost Still Haunts: Adam Hochschild responds to Bruce Gilley, who follows in kind
Source: The Ghost Still Haunts: Adam Hochschild responds to Bruce Gilley, who follows in kind
Source: The Ghost Still Haunts: Adam Hochschild responds to Bruce Gilley, who follows in kind