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Quote by Lauren Willig

“Sensing another maternal oration coming on, one of those I-bore-you-and-thus-know-what’s-best-for-you lectures, Richard made a pointed move towards the door. ‘If that’s all for the moment, Mother, I really must be off. The War Office…’ The marchioness gave another of her infamous harrumphs. ‘Have a good time at White’s, darling,’ she said pointedly. Richard paused halfway out the door and flashed her an incredulous look. ‘How do you always know?’ Lady Uppington looked smug. ‘Because I’m your mother. Now, shoo! Get along with you!”

Quote by Lauren Willig

Work

The Secret History of the Pink Carnation

This book is a fictional narrative set against the backdrop of the Napoleonic Wars, featuring a romantic and suspenseful storyline centered around espionage and the mysterious Pink Carnation. more

Author

Lauren Willig
Lauren Willig

Lauren Willig is an accomplished American author, born on March 28, 1977. She is renowned for her historical novels, which skillfully blend historical settings with suspenseful storytelling. more

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“Dead. He thought to himself, all dead. For me, you have been dead a long time, as long as I can remember. You, who gave a life to me and to Taro and tried to make us conform to a mold which never existed for us because we never knew of it, were never alive to us in the way that other sons and daughters know and feel and see their parents. But you made so many mistakes. It was a mistake to have ever left Japan. It was a mistake to leave Japan and to come to America and to have two sons and it was a mistake to think that you could keep us completely Japanese in a country such as America. With me, you almost succeeded, or so it seemed. Sometimes I think it would have been better had you fully succeeded. You would have been happy and so might I have known a sense of completeness. But the mistakes you made were numerous enough and big enough so that they, in turn, made inevitable my mistake. I have had much time to feel sorry for myself. Suddenly I feel sorry for you. Not sorry that you are dead, but sorry for the happiness you have not known. So, now you are free. Go back quickly. Go to the Japan that you so long remembered and loved, and be happy.”

“Only then did he hear the small gasp—a soundless cry—and feel his mother’s cold fingers tightening on his arm. He turned toward her. Saw the red stain spreading across the front of her dress where the sword had driven in. Through him. Through her. There, just above her heart. The too-small hole of a too-great wound. His mother’s eyes met his. “Rhy,” she said, a small, disconcerted crease between her brows, the same face she’d made a hundred times whenever he and Kell got into trouble, whenever he shouted or bit his nails or did anything that wasn’t princely. The furrow deepened, even as her eyes went glassy, one hand drifting toward the wound, and then she was falling. He caught her, stumbled as the sudden weight tore against his open, ruined chest. “No, no, no,” he said, sinking with her to the prismed floor. No, it wasn’t fair. For once, he’d been fast enough. For once, he’d been strong enough. For once— “Rhy,” she said again, so gently—too gently. “No.” Her bloody hands reached for his face, tried to cup his cheek, and missed, streaking red along his jaw. “Rhy …” His tears spilled over her fingers. “No.” Her hand fell away, and her body slumped against him, still, and in that sudden stillness, Rhy’s world narrowed to the spreading stain, the lingering furrow between his mother’s eyes. Only then did the pain come, folding over him with such sudden force, such horrible weight, that he clutched his chest and began to scream.”

“For what it’s worth,” said the Veskan prince, raising his blade. “I really only came for the queen.” His mother spread her arms, the air around her fingers shimmering with frost. “Rhy,” she said, her voice a plume of mist. “Run.” Before the word was fully out, Col was surging forward. The Veskan was fast, but Rhy was faster, or so it seemed as the queen’s magic weighted Col’s limbs. The icy air wasn’t enough to stop the attack, but it slowed Col long enough for Rhy to throw himself in front of his mother, the blade meant for her driving instead into his chest.”

“Wolf, as he watched her, felt weak, despicable, faltering. He felt like a finical attendant watching the splendid fury of some Sophoclean heroine. He became aware that her anger leaped up from some incalculable crevasse in the rock crust of the universe, such as he himself had never approached. The nature of her feelings, its directness, its primordial simplicity, reduced his own emotion to something ridiculous. She towered above him there with that grand convulsed face and those expanded breasts; while her fine hands, clutching at her belt, seemed to display a wild desire to strip naked before him, to overwhelm him with the wrath of her naked maternal body, bare to the outrage of his impiety.”

“I tried to go to group counseling, but the lady said they were full and so when I tried a 1-on-1 with a counselor, they didn’t respond to my calls. I tried so many times. It’s already so embarrassing asking for help. And you have to pick up my calls, too. Please, mom. When you don’t pick up the phone, my head goes all over the place and I think you’re dead.”

“The Mad Room It’s where I go when I’ve lost my temper, my mind on fire, no way around or out of the chair on the dirt floor in the cellar. I’m not one to give into her pressure, as corporal punishment is all it’s about. It’s where I go when I’ve lost my temper. Why does it seem she relishes trouble? The soap in my mouth, the foamy shout, only the hard chair hears my whimper. It’s where I go when I’ve lost my temper. The bare light bulb hums, little doubt I will die alone, kids the curious spider. My bottled-up scream, I can never tell her comes from the fear of living without her love, not from her duty as a mother. The room closes in, but I don’t bother to move an inch. Everything is silent except the hiss of pipes, an angry mother. It’s where I go when I’ve lost my temper.”

“It's been over a year since they've visited their son's market. As they walk through the parking lot they take in a number of improvements. Brian admires the raised garden beds made of cedar planks that flank the sides of the lot. There are stalks of tomatoes, staked beans, baskets of green herbs- oregano, lavender, fragrant blades of lemongrass and pointed curry leaf. The planter of baby lettuces has a chalkboard hung from its side: "Just add fork." A wheelbarrow parked by the door is heaped with bright coronas of sunflowers, white daisies, jagged red ginger and birds-of-paradise. Avis feels a leap of pride as they enter the market: the floor of polished bamboo, the sky-blue ceiling, the wooden shelves- like bookshelves in a library. And the smells. Warm, round billows of baking bread, roasting garlic and onions and chicken.”