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Quote by Shelby Mahurin, Blood & Honey

“Postrzegasz magię jako broń, Reid, ale nie masz racji. Ona po prostu... jest. Jeśli chcesz jej użyć do skrzywdzenia kogoś, wtedy krzywdzi, a jeśli chcesz jej użyć, żeby kogoś ocalić... Wtedy ocala.”

Quote by Shelby Mahurin, Blood & Honey

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Shelby Mahurin, Blood & Honey

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“Zając wisiał w łazience, a krew robiła "kap, kap, kap" - i zachlapywała wannę. Usiadłem na opuszczonej desce sedesowej. Położyłem na kolanach zeszyt. Sięgnąłem po ołówek. I poczułem, że ktoś mi się przypatruje. Ktoś, coś. Zając. Że nie spuszcza ze mnie wzroku. Że hipnotyzuje mnie barwionym na czerwono spojrzeniem. Bałem się podnieść głowę. Siedziałem, wstrzymując oddech, by nie sprowokować go jakimkolwiek ruchem. Nasłuchiwałem szmerów. Tata i pan Stefek pokrzykiwali w pokoju, a ja tu zamierałem po każdym kap, kap, kap... - To nie ja cię zabiłem - wykrztusiłem wreszcie. - A kto? - chciał wiedzieć zając. - Pan Stefek. Kap.”

“She has many names and many visages. She has loves and desires. She dares to dream of a future for herself and her people, despite living under the shadow of the gun, the acrid odour of devastation clogging her nostrils. For the most part she is stoic, for the garrison is also her home, her workplace, her field and her playground. Sometimes, she cries out in anguish, but the sound is muted, for there are few who want to hear. Her suffering and courage would be the stuff of legend, if only legend consisted of ordinary women carrying out extraordinary acts, going about the daily business of survival, displaying super-human strength in countering a mighty military juggernaut.”

“The desire for this land/woman is constructed as a hyper-masculine desire; the desire to possess it, take pride in it, love it, protect it and even die fighting for it against invaders. A logical corollary of this construction is that women's bodies are treated as territories to be conquered, claimed or marked by the assailant. When the feminine self comes to signify the nation, communal, regional, national and international conflicts are then played out on women's bodies, which become arenas of violent struggle. Women are humiliated, tortured, raped and murdered as part of the process by which the sense of being a nation is created and reinforced.”

“Everyone in the city remembers the day the floodwater drained out, differently. Some were relieved, some were still in shock, some continued to look for loved ones, while others came home to devastation. But for almost all of us it was heartbreak. The city wore its defeat for days and nights on end. For a week after the floods, on the footpaths outside most homes were stinking piles of mattresses, pillows, quilts, cushions, straw mats, bedsheets and swollen rotting wood and food grains, and cars left open, even as the sun came down hard on us, making a mockery of it all.”