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Quote by Ehsan Sehgal

“I am sorry if I took an inappropriate way that might have hurt your feelings; I am earnestly careful because of my bitter experience; people have broken my trust severely. I saw you also came to my social media pages; it's no problem; you seem like a good soul, but I can't help myself to trust strangers; I don't know them, and they disguise themselves to play a dubious role. I don't want to be the victim again. Somehow you also pretended to be someone like beloved; it showed emotional victimization. I adore honest, truthful, and uncomplicated characters. I hope, and I am sure, as a mature person, you will realize it. I am not interested in anyone.”

Quote by Ehsan Sehgal

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Ehsan Sehgal

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“I was flying. My shoulders loosened, my stride opened, my heart banged the base of my throat. I crossed Carnegie and ran up the block waving my arms. I crossed Lexington and ran up the block waving my arms. A linen-suited woman in her fifties did meet my exultant eye. She looked exultant herself, seeing me from far up the block. Her face was thin and tanned. We converged. Her warm, intelligent glance said she knew what I was doing- not because she herself had been a child but because she herself took a few loose aerial turns around her apartment every night for the hell of it, and by day played along with the rest of the world and took the streetcar. So Teresa of Avila checked her unseemly joy and hung on to the altar rail to hold herself down. The woman's smiling, deep glance seemed to read my own awareness from my face, so we passed on the sidewalk- a beautifully upright woman walking in her tan linen suit, a kid running and flapping her arms- we passed on the sidewalk with a look of accomplices who share a humor just beyond irony. What's a heart for?”

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“The old frame house down near the waterfront had never held so many people since the day it was put up. It must have been a pleasant place fifty years before: trees overhanging the limpid water, cows grazing in the meadows on both sides of the river, little frame houses like this one dotting the banks here and there. It wasn't a pleasant place any more: garbage scows, coal yards, the river a greasy gray soup. Dead-end blocks of decrepit tenements on one side of it, lumberyards and ice-plants and tall stacks on the other. The house was set far back from the street, hemmed in by the blank walls that rose around it. ("I Wouldn't Be In Your Shoes")”

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