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পথে প্রবাসে

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Annada Shankar Ray

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“At about eight-thirty or nine the friends make a halt, already in sight of Moranchel. Moranchel is on the left of the Cifuentes road, at some two hundred paces from the highway. It is a gloomy, dark town that seems to have no business being surrounded by green fields. The old man sits down in the ditch and the traveler lies on his back and looks up at some little clouds, graceful as doves, which are floating in the sky. A stork flies past, not very high, with a snake in its beak. Some partridge fly up from a bed of thyme. An adolescent goatherd and a member of his flock are sinning one of the oldest of sins in the shade of a hawthorn tree blooming with tiny sweet-smelling flowers, white as orange blossoms. ― Camilo José Cela, Journey to the Alcarria: Travels Through the Spanish Countryside”

“...it was just a version of Rimbaud in Harar: the exile, a selfish beast with modest fantasies of power, secretly enjoying a life of beer drinking and scribbling and occasional mythomania in a nice climate where there were no interruptions, such as unwelcome letters or faxes or cell phones. It was an eccentric ideal, life lived off the map.¨”

“The ride back to Kathmandu was comfortable and relaxing. There were more overturned trucks (the gas-powered ones seem to tip the most often, I’m surprised there weren’t more explosions), goats being herded across the highway by ancient women, children playing games in traffic, private cars and buses alike pulling over in the most inconvenient places for a picnic or public bath, and best of all the suicidal overtaking maneuvers (or what we would call ‘passing’) by our bus and others while going downhill at incredible speeds or around hairpin turns uphill with absolutely no power left to actually get around the other vehicle.”

“Perhaps there is to be found in Pastrana the key to something which happens in Spain more frequently than is necessary. Past splendor overwhelms and in the end exhausts the people's will; and without force of will, as can be seen in so many cases, by being exclusively occupied with the contemplation of the glories of the past, they leave current problems unsolved. When the belly is empty and the mind filled with golden memories, the golden memories continually retreat and at last, though no one goes so far as to admit it, there is even doubt whether they ever existed and there is nothing left of them but a benevolent and useless cultural residue.”

“Inwardly - nobody knows why - the passengers on one train always envy slightly the passengers on another train; it is something that's true but a little difficult to explain. Maybe it's because, even though they don't realize it very clearly, a third-class passenger would always be glad to change places with another, even if the other were third-class too. ― Camilo José Cela, Journey to the Alcarria: Travels Through the Spanish Countryside”

“The fascination of the July Monarchy public with lithographic albums was intimately related to the popularity of the travelogue, which constituted an important literary form at the time. Professional travelers and scientists as well as many of the major writers of the period dedicated themselves to this genre. Stendhal’s Promenades dans Rome (1829) and his Memoires d'un touriste (1838); Alphonse de Lamartine’s Voyage en Orient (1832-1833); Victor Hugo’s Rhin (1842); George Sand’s Lettres d'un voyageur (1834-1836); Theophile Gautier’s Tour en Belgique (1836) and his Tra los Montes (1843); and Alexandre Dumas’s Quinze jours au Sinai are some of the outstanding examples of the travelogues published in the 1830s and 1840s.”

“I love wide stretches of open land, but to the average Spaniard, who typically thrives in company and is most at home in a crowd, these fields of Extremadura (which literally means “extremely tough”) could even be intimidating, only partly because not far back in time there were bandits in the region. They were named as the ‘extreme’ end of the country. If it is at least not totally empty, there is certainly a sense of that great lonesome feeling created by the far-off, long, long line at which the earth's surface and the sky meet: a pleasant melancholy of an imagined solitary truck crawling across a plain, the ancestral memory of a caravan trail or a child’s drawing of a single emblematic tree on a small hill.”