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Quote by Abhijit Naskar

“When inhumanity is committed on others, we turn our back, when it's committed on us, we compromise. That's how the world works, nay, that's how we work - we the so-called civilized beings. What civilized! What sentient! What sapient! We haven't even developed the spine to stand up to oppression and dehumanization! Then how on earth could we call ourselves civilized, sentient, and sapient!”

Quote by Abhijit Naskar

Book:The Gentalist: There's No Social Work, Only Family Work
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The Gentalist: There's No Social Work, Only Family Work

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Abhijit Naskar

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“The World Sonnet The world will never be a place without troubles, But that is not the point, the point is something else. The point is that most of the troubles we do have, Are caused by our own archaic stupidity 'n shallowness. Shallow and indifferent, that's the norm of the world. With such norm how can we expect there to be equality! Civilization comes from the ground, not the government. The ones walking the ground are the cause of humanity. Rhythm of the world comes from the rhythm of your heart, Place your hand on your heart and listen across biases. If there is music in you there'll be music in the world, But if there's just noise within, all around there’ll be travesty. WORLD means We On Road of Love and Determination. The aim is to conquer our last ounce of discrimination.”

CivilizationIndifferenceSocial ResponsibilitySocial IssuesLove PoemPeace ActivistGlobal HarmonyLove And KindnessHumanitarian PoetrySocial Change Human Rights
Book:The Gentalist: There's No Social Work, Only Family Work
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“Like all disappearing forms, art seeks to duplicate itself by means of simulation, but it will nevertheless soon be gone, leaving behind an immense museum of artificial art and abandoning the field completely to advertising. A dizzying eclecticism of form, a dizzying eclecticism of pleasure - such, already, was the agenda of the baroque. For the baroque, however, the vortex of artifice has a fleshly aspect. Like the practitioners of the baroque, we too are irrepressible creators of images, but secretly we are iconoclasts - not in the sense that we destroy images, but in the sense that we manufacture a profusion of images in which there is nothing to see. Most present-day images - be they video images, paintings, products of the plastic arts, or audiovisual or synthesized images - are literally images in which there is nothing to see. They leave no trace, cast no shadow, and have no consequences. The only feeling one gets from such images is that behind each one there is something that has disappeared. The fascination of a monochromatic picture is the marvellous absence of form - the erasure, though still in the form of art, of all aesthetic syntax. Similarly, the fascination of trans sexuality is the erasure - though in the form of spectacle - of sexual difference. These are images that conceal nothing, that reveal nothing - that have a kind of negative intensity. The only benefit of a Campbell's soup can by Andy Warhol (and it is an immense benefit) is that it releases us from the need to decide between beautiful and ugly, between real and unreal, between transcendence and immanence. Just as Byzantine icons made it possible to stop asking whether God existed - without, for all that, ceasing to believe in him.”

ArtAdvertisingIndifferenceBaroque
Book:The Transparency of Evil: Essays in Extreme Phenomena
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