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How Not to Kill Yourself: A Survival Guide for Imaginative Pessimists

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Set Sytes

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“Then, Peter caught the smirk between Cenehard and Eleanor. He blushed, turning a rosier color than Eleanor had. This caused all of the Dwarves, who were naturally merry people, to nearly drop to the floor rolling with laughter. In an attempt to change the subject, Peter leaned back in his chair and proclaimed in a loud voice, "Man, I am stuffed. Good cook--" He leaned back a little bit too far and fell right out of the chair. His face turned redder still, and he jumped up, grabbing Evangeline's plate, which she had been happily and heartily eating from, and ran off saying, "I really ought to bring Edith her dinner!”

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Book:Daughter of Kings
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“She (My Mom) taught me that health was my greatest wealth. We spent memorable times laughing — the best medicine. Her actions instilled in me how to be a loving and attentive parent. My mom’s genuine gifts have amplified throughout my life. What more could one ask from a mother?”

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Book:Living Like The Future Matters: The Evolution of a Soil to Soul Entrepreneur
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“In The Archangel Raphael Leaving Tobias' Family, Rembrandt leaves dirt on the shadowed soles of Raphael's feet as he flies off, illuminated in glory. Passing by the painting, one sees the dramatic action, the melodramatic emotions, and the re-created narrative events of the Bible. Slowed down a bit, the viewer sees light across a large muscular calf, a strong and sharply shaped ankle, and then dirty feet. The angel who tells us he only pretended to eat - this to explain away all traces of his apparent earthliness as a fallen creaturely being - is here on the canvas with dirty feet, carrying soil, the created, to the creator. Van Gogh had rightly said there are mysteries in these paintings. They are mysteries of device and design, not of messianic significance. They require a docent and not a priest, a creative critic to guide the view of specific images, not a guardian of mysteries and master of their enigmatic authority. Dirty feet on the soles of an archangel famous for his annunciations give the viewer a point of view on the inescapably human nature of the narrated God. Raphael may no eat. He may believe he creates an illusion to satisfy the religious desire for mythological consistency, but even archangels deceive themselves as well as others. Humans sometimes do the same in inventing the transcendence they need or think they want - creating a regime from which the priestly classes rule, even theorizing the alienation of the divine. Deceit is an essential device of cultural adaptation. It constructs needed beliefs that at high and low levels of thought or action complement their existence with modes of self-defense, which protect them from not only needed analysis but also the importance of failure.”

LaughterArchangelRaphaelRembrandtCatastrophists
Book:Love's Shadow
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