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Quote by Peter Redgrove

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Peter Redgrove
Peter Redgrove

Peter Redgrove was a British poet known for his unique poetic style and profound depiction of the natural world. His works often reflect on the deep relationship between humans and nature, as well as critical thinking on social and political issues. more

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“Самое главное – это атмосфера и мгновения. Это – то прозрачное и величественное, что существует в жизни. И воспоминания состоят именно из этих мгновений, которые, как яркие вспышки, появляются среди мрака прошлого. Когда ты внезапно можешь осознать, что было важным для тебя в то далекое время. И эти воспоминания наполняют тебя сегодняшнего. И как волны бесконечного, движущегося моря памяти приходят на берег жизни. И ты начинаешь чувствовать себя свободным и бесконечным в своем путешествии по этому морю.”

“Only a fool says in his heart There is no Creator, no King of kings, Only mules would dare to bray These lethal mutterings. Over darkened minds as these The Darkness bears full sway, Fruitless, yet, bearing fruit, In their fell, destructive way. Sterile, though proliferate, A filthy progeny sees the day, When Evil, Thought and Action mate: Breeding sin, rebels and decay. The blackest deeds and foul ideals, Multiply throughout the earth, Through deadened, lifeless, braying souls, The Darkness labours and gives birth. Taking the Lord’s abundant gifts And rotting them to the core, They dress their dish and serve it out Foul seeds to infect thousands more. ‘The Tree of Life is dead!’ they cry, ‘And that of Knowledge not enough, Let us glut on the ashen apples Of Sodom and Gomorrah.’ Have pity on Thy children, Lord, Left sorrowing on this earth, While fools and all their kindred Cast shadows with their murk, And to the dwindling wise, They toss their heads and wryly smirk. The world daily grinds to dust Virtue’s fair unicorns, Rather, it would now beget Vice’s mutant manticores. Wisdom crushed, our joy is gone, Buried under anxious fears For lost rights and freedoms, We shed many bitter tears. Death is life, Life is no more, Humanity buried in a tomb, In a fatal prenatal world Where tiny flowers Are ripped from the womb, Discarded, thrown away, Inconvenient lives That barely bloomed. Our elders fare no better, Their wisdom unwanted by and by, Boarded out to end their days, And forsaken are left to die. Only the youthful and the useful, In this capital age prosper and fly. Yet, they too are quickly strangled, Before their future plans are met, Professions legally pre-enslaved Held bound by mounting student debt. Our leaders all harangue for peace Yet perpetrate the horror, Of economic greed shored up Through manufactured war. Our armies now welter In foreign civilian gore. How many of our kin are slain For hollow martial honour? As if we could forget, ignore, The scourge of nuclear power, Alas, victors are rarely tried For their woeful crimes of war. Hope and pray we never see A repeat of Hiroshima. No more! Crimes are legion, The deeds of devil-spawn! What has happened to the souls Your Divine Image was minted on? They are now recast: Crooked coins of Caesar and The Whore of Babylon. How often mankind shuts its ears To Your music celestial, Mankind would rather march To the anthems of Hell. If humanity cannot be reclaimed By Your Mercy and great Love Deservedly we should be struck By Vengeance from above. Many dread the Final Day, And the Crack of Doom For others the Apocalypse Will never come too soon. ‘Lift up your heads, be glad’, Fools shall bray no more For at last the Master comes To thresh His threshing floor.”

“I could have asked for the full tour ― you could have shown me around all your own facts and circumstances, given me the tourist board version of yourself. A whole story that I would later have to revise or unlearn based on who you turned out to be. But if I start with what you're actually like, pick you up where I found you, then at least I'm starting with my information. I can sketch you my own way, and then colour you in over time. And you could do the same with me.”

“Most striking about the traditional societies of the Congo was their remarkable artwork: baskets, mats, pottery, copper and ironwork, and above all, woodcarving. It would be two decades before Europeans really noticed this art. Its discovery then had a strong influence on Braque, Matisse, and Picasso.”

“A dance with the clouds. After this dance what next. When charcoal becomes ambers and fire remind us about sweet melodies. When human emotions stop to sing and we marry our sins. A dance in between fences and living inside furnaces. A million stars had dropped, a million moons spurred hope under our broken shadows. I remain here, I remain dancing with the clouds.”